Carl Stamitz

Ein reizvolles, eingängiges, liebenswürdig - typisches Beispiel der Mannheimer Schule. Lagenspiel in M1/Mandola. Gitarre leichtes Melodiespiel. 13'25. (Hrsg.: Wilden-Hüsgen).

Accompaniment: Stuttgart Festival Orchestra - No composer likes to write music without feeling that an artist exists both capable of, and willing to, play it to good advantage. When Carl Maria von Web...

Great Performer's Edition. For viola and orchestra (piano reduction).

A solo, for Viola with Piano Accompaniment, composed by Karl Stamitz.

A solo, for Viola with Piano Accompaniment, composed by Karl Stamitz.

Konzert für Violoncello und Orchester (Aufführungsmaterial leihweise = BA6091). Violoncello, Klavier - Klavierauszug

Fagott und Klavier

Like almost all composing virtuosos of his time, Carl Stamitz also wrote easy-to-play duets for lovers in addition to duets for his own use. His op. 27, which appeared in print "chez Schott à Mayence"...

Like almost all composing virtuosos of his time, Carl Stamitz also wrote easy-to-play duets for lovers in addition to duets for his own use. His op. 27, which appeared in print "chez Schott à Mayence"...

A duet, for Flute, composed by Karl Stamitz.

Also in this piece belonging to the series of six op. 8 Stamitz offers a tonally strongly contrasting interplay between 2 wind and 2 string parts: finest classical table music!

Among the 42 trio sonatas, these 6 occupy a special position: they are equipped with a basso continuo, whereby the basso parts marked 'solo', in which the keyboard instrument is silent, make the 'tran...