Charlotte Seither

The title "Guarda in giù" ("Look down") is conceived on two levels. On the one hand, it stands for looking into one's own self, and on the other for the deep foundation of this composition, which is c...

für 15-stimmigen Chor a cappella (SSSSAAAATTTBBBB)

> Suitable for any voice (ambitus from F to C) > Traditional notation with no playing inside the piano > Moderately difficult > Enticing possibilities of interpretation This short, highly compact song...

Lauschgut (2018/19) follows the idea of freeing the piano from its chordal tradition. Instead, the single note is fringed so far inwards that pitch and noise can meet in "fanned-out unanimity". The pi...

Red roots' (2022) hints at its source material in depth – only to turn it into something independent. Starting from a Beethovenian cell (from the unpublished sketch, 'Wir irren allesamt'), the focus i...

Violine, Violoncello, Klavier - Spielpartitur

World premiere on January 28, 1995 in Zellertal-Niefernheim: Soloists of the Villa Musica Mainz

World premiere on July 2, 2000 in Hanover, EXPO "Zeitensprung": Susanne von Gutzeit (violin), Konstanze von Gutzeit (violoncello)

World premiere on April 17, 1996 in Stuttgart: Akademie Schloss Solitude, ensemble recherche

World premiere on November 9, 2002 in Hanover, Biennale/NDR: Auryn-Quartett

World premiere on July 20, 1997 in Ludwigslust: Stefan Stoll (baritone), Axel Bauni (piano)

für Tenor und Klavier (2000)

World premiere on August 19, 2000 in Hanover, EXPO Lied: Strahl Festival: Marcus Ullmann (tenor), Michael Wendeberg (piano)

Für Sopran und Klavier nach Franz Kafka