David Bednall

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminesc...

Rejoice in the Lord is a fast, festive, and joyful setting of Psalm 33. After an exuberant opening, a lively organ passage leads into a beautiful moment of stillness in the choir, unaccompanied, creat...

A collection of three choral songs setting the words of three First World War poets, commissioned in 2014 by the choir Sospiri to mark the centenary of the start of the war. The songs are charged with...

Three Songs of Love was commissioned by the Exultate Singers and first performed at St George's Church, Bristol on 14 February 2015.The three texts (Clare, Yeats and McCrae) represent different moods...

Originally part of David Bednall's Three Songs of Love, the short section which sets W B Yeats' poem The Cloths of Heaven ('Had I the heavens' embroidered cloths') is here presented as a separate octa...

Bednall's beautiful setting of this much-loved prayer is warm, simple, and immediate. The vocal line is expertly lyrical and the accompaniment suitably supporting, with a serene line for solo violin t...

Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...

Everyone Sang was written for the wedding blessing at Wells Cathedral on 26th May 2007. The choir on that occasion featured many singers from the operatic world and this, combined with the emotional n...

This powerful piece, dating from 2010, shows off the full resources of any organ it is played on. Its driving rhythms and exhilarating, often bitonal, harmonies recall such French organist-composers a...

David Bednall's Fanfare-Processional for Organ. Composed 2010. 'A work that reflects a constant revivific­ation of tradition - most notably, in the expected treatment of D major tonality(not full...

Bednall's creation, rooted in the tradition of French organ improvisation, tenderly evokes the mysterious beauty of Wells Cathedral's remarkable 'Jesse Window'. The radiant music ebbs and flows calmly...

Commissioned for the 40th birthday of the organist Paul Walton, Walton's Paean is a work of great verve, with compelling rhythms, exciting harmonies, and catchy melodies propelling the celebratory mus...

A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various ch...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's se...

This exquisite miniature combines old and new, with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. It was recorded by The Epiphoni Consort on David Be...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...

Aspire to God, my soul sets a macaronic text by Canon John Dilnot. This anthem is optimistic and uplifting, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility...

This partner antiphon to Bednall's Alma Redemptoris Mater is fast and joyful. This pair of antiphons compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). The ce...

This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet move...

This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...