David Erler

The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

Johann Kuhnaus Kantate "Wie schön leuchtet der Morgenstern" basiert auf dem gleichnamigen Choral von Philipp Nicolai von 1599 und verwendet zwei Strophen davon im Eingangs- und Schlusssatz. Die weiter...

Johann Kuhnaus Kantate "Wie schön leuchtet der Morgenstern" basiert auf dem gleichnamigen Choral von Philipp Nicolai von 1599 und verwendet zwei Strophen davon im Eingangs- und Schlusssatz. Die weiter...

Johann Kuhnaus Kantate "Wie schön leuchtet der Morgenstern" basiert auf dem gleichnamigen Choral von Philipp Nicolai von 1599 und verwendet zwei Strophen davon im Eingangs- und Schlusssatz. Die weiter...

Johann Kuhnaus Kantate "Wie schön leuchtet der Morgenstern" basiert auf dem gleichnamigen Choral von Philipp Nicolai von 1599 und verwendet zwei Strophen davon im Eingangs- und Schlusssatz. Die weiter...