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Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were 'at the top of their game' for this venture and this operetta is well known fo...
Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were 'at the top of their game' for this venture and this operetta is well known fo...
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Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...
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Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
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Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
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Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...
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Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
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Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
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Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. Suite No. 3 was composed in 1932. It differs from the previous two su...
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'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
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'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
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'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
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'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...
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Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
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Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
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Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
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Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...
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Nowadays, Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot. C...
Nowadays, Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot. C...
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Nowadays, "Carmen" is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot:...
Nowadays, "Carmen" is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot:...
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Nowadays, "Carmen" is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot:...
Nowadays, "Carmen" is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment because of the misunderstanding of the very realistic plot:...
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Johann Strauss wrote the bubbling 'Champagne Polka' for his 1858 summer concert season in Pavlovsk, where its first performance took place on 12 August under the title of 'Ball-Champagner-Polka'. Stra...
Johann Strauss wrote the bubbling 'Champagne Polka' for his 1858 summer concert season in Pavlovsk, where its first performance took place on 12 August under the title of 'Ball-Champagner-Polka'. Stra...
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Johann Strauss wrote the bubbling 'Champagne Polka' for his 1858 summer concert season in Pavlovsk, where its first performance took place on 12 August under the title of 'Ball-Champagner-Polka'. Stra...
Johann Strauss wrote the bubbling 'Champagne Polka' for his 1858 summer concert season in Pavlovsk, where its first performance took place on 12 August under the title of 'Ball-Champagner-Polka'. Stra...
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Franz von Suppé composed about 30 operettas and 180 farces, ballets, and other stage works. Although the bulk of Suppé's operas have sunk into relative obscurity, the overtures - particularly 'Dichter...
Franz von Suppé composed about 30 operettas and 180 farces, ballets, and other stage works. Although the bulk of Suppé's operas have sunk into relative obscurity, the overtures - particularly 'Dichter...
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