Duke Ellington

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

Oh yeah, a beautiful straight-eighth Ellington ballad. Played around 84 BPM with gorgeous voicings throughout, written-out solos for tenor and trombone, very easy brass ranges, all the usual optional...

Here's a classic Ellington ballad cast for small band and featuring tenor sax. Wonderful reharmonizations and skilled scoring.

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

A superb feature for baritone saxophone, this is certainly one of Ellington's more beautiful melodies and another winning chart from master arranger Dave Wolpe. The perfect ballad showcase for your ba...

Jazz at Lincoln Center Library. is an exciting project under the artistic direction of Wynton Marsalis that is dedicated to the preservation of the jazz style and designed to honor the greats of jazz...

Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis. Each transcription i...

This arrangement was written by Billy Strayhorn in 1963 and was first performed in Sweden on March 9, 1964. While on tour in Europe during that year Ellington introduced several pieces as Impressions...

In early 1967 Strayhorn, who was suffering from esophagael cancer and the effects of radiation treatment, set out to compose a multi-movement work in which one of sections was to be titled Blue Cloud....

As recorded by the Stan Kenton Orchestra and Jean Turner

Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet int...

Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet int...

Considered one of the founding fathers of jazz music, Duke Ellington was one of the most popular and prolific composers of the 20th century. This varied trio of a cappella charts offers stunning, tigh...

One of the most beloved and recognizable standards from the Duke Ellington catalog, Wayne Grimmer's setting is accessible and singable for almost any level ensemble, and will have your audience snappi...

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s. Arranger Nicholas Hare has endeavoured to share the interest among all th...

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

Rick Stitzel skillfully dresses up this amazingly simple melody with counterlines and solid scoring for the little big band format. Solos are provided for alto sax and trumpet, but with the easy blues...

Rick Stitzel skillfully dresses up this amazingly simple melody with counterlines and solid scoring for the little big band format. Solos are provided for alto sax and trumpet, but with the easy blues...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...