Elizabeth Walker

This radiant Sinfonia opens Part 2 of Bach's Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven an...

*WINNER, NFA Best Flute Method 2015* "Baroque Flute Studies" by leading authority on historical performance practice, Elizabeth Walker, presents a 'through the keys' approach to baroque flute techniqu...

This radiant Sinfonia opens Part 2 of Bach's Christmas Oratorio (1734) — the only cantata in the cycle without an opening chorus. Instead, Bach lets the orchestra speak, capturing the moment heaven an...

A pair of baroque gems! A lyrical Largo and a lively Vivace, chosen from Arcangelo Corelli's much loved 12 Concerti Grossi, published in 1714. Arranged for four C flutes,  the Largo offers an opportun...

A pair of baroque gems! A lyrical Largo and a lively Vivace, chosen from Arcangelo Corelli's much loved 12 Concerti Grossi, published in 1714. Arranged for four C flutes,  the Largo offers an opportun...

These three wondrous arias from Mozart's Operas make ideal concert pieces for advanced players, with both parts given a chance to enjoy the soaring melodies. Un'aura amorosa is one of the greatest ten...

These three wondrous arias from Mozart's Operas make ideal concert pieces for advanced players, with both parts given a chance to enjoy the soaring melodies. Un'aura amorosa is one of the greatest ten...

Soave sia il vento (Gentle be the breeze) is sung by Fiordiligi, Dorabella and Don Alfonso in Act I of the opera, as the two lovers depart to war and are sent on their way. The rippling semiquaver acc...

Soave sia il vento (Gentle be the breeze) is sung by Fiordiligi, Dorabella and Don Alfonso in Act I of the opera, as the two lovers depart to war and are sent on their way. The rippling semiquaver acc...

Vivaldi's Concerto RV 439 "La Notte" (The Night). Dark and thrilling, with moments of stillness set alongside electric faster sections - an exciting concert piece for an advanced quintet. This piece i...

Vivaldi's Concerto RV 439 "La Notte" (The Night). Dark and thrilling, with moments of stillness set alongside electric faster sections - an exciting concert piece for an advanced quintet. This piece i...

The slow movement from Mozart's beloved Concerto in G major (K. 313), arranged for solo flute and flute choir accompaniment.

Elizabeth Walker has previously arranged four songs for flute and piano by Richard Strauss for ALRY Publications, and in this arrangement she continues to introduce songs to the flute repertoire. She...

Elizabeth Walker has previously arranged four songs for flute and piano by Richard Strauss for ALRY Publications, as well as four 'Songs Without Words' by Felix Mendelssohn for two flutes and piano. T...

These Four Songs of Richard Strauss originally for voice and piano have been masterfully adapted for flute and piano by Elizabeth Walker. The volume consists of Morgen! (Op. 27, No. 4), Zueignung (Op....

Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig...

Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig...

This Renaissance gem by Thomas Crecquillon is a beautiful, flowing chanson with three imitative voices. It was first printed in the 1540's, but was recorded recently by Zephyrus Flutes (Nancy Hadden,...

This Renaissance gem by Thomas Crecquillon is a beautiful, flowing chanson with three imitative voices. It was first printed in the 1540's, but was recorded recently by Zephyrus Flutes (Nancy Hadden,...

This exquisite Renaissance chanson is a true gem and was originally written for four Renaissance Flutes by Nicolas Gombert. It was first published by Pierre Attaingnant in Paris, 1533. Typical of many...

This exquisite Renaissance chanson is a true gem and was originally written for four Renaissance Flutes by Nicolas Gombert. It was first published by Pierre Attaingnant in Paris, 1533. Typical of many...