Erik Satie Sheet Music
Cinco minutos, uma fumegante xícara de café e vontade de fazer um pouco de música? Então esta coleção é perfeita: cinco clássicos em arranjos simplificados que se tocam diretamente à primeira vista e...
Cinco minutos, uma fumegante xícara de café e vontade de fazer um pouco de música? Então esta coleção é perfeita: cinco clássicos em arranjos simplificados que se tocam diretamente à primeira vista e...
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Cinque minuti, una tazza di caffè fumante e voglia di fare un po' di musica? Allora questa collezione è perfetta: cinque classici in arrangiamenti semplificati che si suonano direttamente a prima vist...
Cinque minuti, una tazza di caffè fumante e voglia di fare un po' di musica? Allora questa collezione è perfetta: cinque classici in arrangiamenti semplificati che si suonano direttamente a prima vist...
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Cinci minute, o ceașcă de cafea fierbinte și dorința de a face puțină muzică? Atunci această colecție este perfectă: cinci clasice în aranjamente simplificate care se cântă direct din partitură și car...
Cinci minute, o ceașcă de cafea fierbinte și dorința de a face puțină muzică? Atunci această colecție este perfectă: cinci clasice în aranjamente simplificate care se cântă direct din partitură și car...
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¿Cinco minutos, una humeante taza de café y ganas de hacer un poco de música? Entonces esta colección es perfecta: cinco clásicos en arreglos simplificados que se tocan directamente a primera vista y...
¿Cinco minutos, una humeante taza de café y ganas de hacer un poco de música? Entonces esta colección es perfecta: cinco clásicos en arreglos simplificados que se tocan directamente a primera vista y...
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Gymnopédie Nr. 1 ist ein Klassiker der Klaviermusik - bekannt für seine meditative Ruhe und schlichte Eleganz. Diese Ausgabe in D-Dur präsentiert das berühmte Stück in leichter Spielbarkeit, ideal für...
Gymnopédie Nr. 1 ist ein Klassiker der Klaviermusik - bekannt für seine meditative Ruhe und schlichte Eleganz. Diese Ausgabe in D-Dur präsentiert das berühmte Stück in leichter Spielbarkeit, ideal für...
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Gnossienne Nr. 6 ist eine der mysteriösen Klavierkompositionen von Erik Satie, die mit ihrer unkonventionellen Notation und der Spielanweisung "Avec conviction et avec une tristesse rigoureuse" eine g...
Gnossienne Nr. 6 ist eine der mysteriösen Klavierkompositionen von Erik Satie, die mit ihrer unkonventionellen Notation und der Spielanweisung "Avec conviction et avec une tristesse rigoureuse" eine g...
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Gnossienne Nr. 4 ist ein außergewöhnlich kraftvolles Stück von Erik Satie, das sich von den ersten drei Gnossiennes durch seinen ungewöhnlichen 3/2-Takt und eine fast archaische Klangsprache abhebt. U...
Gnossienne Nr. 4 ist ein außergewöhnlich kraftvolles Stück von Erik Satie, das sich von den ersten drei Gnossiennes durch seinen ungewöhnlichen 3/2-Takt und eine fast archaische Klangsprache abhebt. U...
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Gnossienne Nr. 5 ist ein faszinierendes Stück von Erik Satie, das mit seiner minimalistischen Struktur und seiner klaren Melodie besticht. Diese Ausgabe für Klavier in G-Dur ist speziell für fortgesch...
Gnossienne Nr. 5 ist ein faszinierendes Stück von Erik Satie, das mit seiner minimalistischen Struktur und seiner klaren Melodie besticht. Diese Ausgabe für Klavier in G-Dur ist speziell für fortgesch...
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Gnossienne Nr. 3 ist eines der eigenwilligsten und zugleich anziehendsten Stücke von Erik Satie - schlicht, meditativ und völlig frei von Taktstrichen. In a-Moll, langsam (Lent) und für Klavier gesetz...
Gnossienne Nr. 3 ist eines der eigenwilligsten und zugleich anziehendsten Stücke von Erik Satie - schlicht, meditativ und völlig frei von Taktstrichen. In a-Moll, langsam (Lent) und für Klavier gesetz...
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Gnossienne Nr. 2 ist ein faszinierendes Stück für Klavier, das mit seiner schlichten Eleganz und der rätselhaften Spielanweisung "Avec étonnement" (mit Erstaunen) eine ganz eigene Atmosphäre schafft....
Gnossienne Nr. 2 ist ein faszinierendes Stück für Klavier, das mit seiner schlichten Eleganz und der rätselhaften Spielanweisung "Avec étonnement" (mit Erstaunen) eine ganz eigene Atmosphäre schafft....
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Gnossienne Nr. 1 ist ein atmosphärisches Klavierstück von Erik Satie, das mit seiner reduzierten Harmonik und dem fließenden 4/4-Takt eine ganz eigene Klangwelt erschafft. Die Komposition steht in f-M...
Gnossienne Nr. 1 ist ein atmosphärisches Klavierstück von Erik Satie, das mit seiner reduzierten Harmonik und dem fließenden 4/4-Takt eine ganz eigene Klangwelt erschafft. Die Komposition steht in f-M...
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Gymnopédie Nr. 3 ist das dritte Stück aus Erik Saties berühmter Trilogie - eine minimalistische Klavierminiatur in a-Moll, die mit nur wenigen Noten eine ganz eigene, meditative Atmosphäre schafft. Im...
Gymnopédie Nr. 3 ist das dritte Stück aus Erik Saties berühmter Trilogie - eine minimalistische Klavierminiatur in a-Moll, die mit nur wenigen Noten eine ganz eigene, meditative Atmosphäre schafft. Im...
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Gymnopédie Nr. 2 ist die zweite von drei melancholischen Miniaturen, die Erik Satie 1888 komponierte - ein Stück, das Stille und Bewegung zugleich atmet. Der Satz in C-Dur bewegt sich im 3/4-Takt und...
Gymnopédie Nr. 2 ist die zweite von drei melancholischen Miniaturen, die Erik Satie 1888 komponierte - ein Stück, das Stille und Bewegung zugleich atmet. Der Satz in C-Dur bewegt sich im 3/4-Takt und...
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This album brings together three groups of pieces, all written in 1913 by the eccentric French composer, Erik Satie. They are ingeniously devised to make full and basic use of the five fingers of each...
This album brings together three groups of pieces, all written in 1913 by the eccentric French composer, Erik Satie. They are ingeniously devised to make full and basic use of the five fingers of each...
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- ABRSM Publishing
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ships within 1-2 weeks
These two fascinating works are combined into one volume that includes an interesting biography, background information on the writing of the music, indispensable performance suggestions and a listing...
These two fascinating works are combined into one volume that includes an interesting biography, background information on the writing of the music, indispensable performance suggestions and a listing...
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- Alfred Publishing
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Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...
Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...
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- Sheet Music Download (Urtext)
- Bärenreiter Verlag
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> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
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- Bärenreiter Verlag
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With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...
With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...
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- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
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With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...
With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...
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Mit seinen im Sommer 1913 entstandenen parodistischen Klavierstücken über allerlei Seegetier - mit dem grotesken Titel 'Vertrocknete Embryos' machte sich Satie einmal mehr über sich und die Musikwelt...
Mit seinen im Sommer 1913 entstandenen parodistischen Klavierstücken über allerlei Seegetier - mit dem grotesken Titel 'Vertrocknete Embryos' machte sich Satie einmal mehr über sich und die Musikwelt...
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The atmospheric cycle "Penultimate Thoughts" from 1915 belongs to the type of Satie's "story pieces" with underlying text phrases. The curious playing instructions of the three miniatures based on ost...
The atmospheric cycle "Penultimate Thoughts" from 1915 belongs to the type of Satie's "story pieces" with underlying text phrases. The curious playing instructions of the three miniatures based on ost...
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This collection contains the easiest piano pieces in their original form by Erik Satie. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety...
This collection contains the easiest piano pieces in their original form by Erik Satie. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety...
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- Bayard-Nizet Editions Musicales
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Erik Satie
Éric Alfred Leslie Satie (b. May 17, 1866 in Honfleur, † July 1, 1925 in Paris), or Erik Satie for short, was a French composer who – in the wake of late Romanticism, the Impressionism that surrounded him, and the flare-up of Expressionism – knew how to remain true to himself and his view of music, creating and maintaining his own unique style.
Erik Satie could be called the satirist among turn-of-the-century composers. His pieces are short, straightforward, and downright minimalist, only to have playing instructions and headings that are all the longer and veer into the Dadaist. Here Satie is possibly satirizing the fashion, burgeoning at the time, of giving performers, instead of conventional instructions such as "Adagio" or "Allegro moderato," more detailed instructions such as "Andante très expressif" and "morendo jusq'à la fin" ("Very expressive andante" and "Morendo to the end", from Clair de lune by C. Debussy) or "Mouvement de Valse très modéré" ("Very moderate waltz movement" from Ma mère l'oye No. IV by M. Ravel) to hand. In Satie's case, playing instructions then sound like this: "Conseillez-vous soigneusement" ("Consult carefully"), "De manière à obtenir un creux" ("To obtain a hollow") or "Dans une saine supériorité" ("In healthy superiority", all from Gnossienne). Satie's 7th dance from Danses Gothique is headed: "Par pitié pour les ivrognes, honteux, débauchés, imparfaits, désagréables et faussaires en tous genres", which can be translated, mutatis mutandis, as "Out of pity for the drunkards, ashamed, dissolute, imperfect, disagreeable and fakers of all kinds".
But there are also non-ironic compositions in Satie's oeuvre. In addition to his piano works, Satie produced three ballet scores and the symphonic drama Socrate, as well as the mass Messe des pauvres ("Poor People's Mass"), furthermore a piece for violin and piano entitled Choses vues à Droite et à Gauche - sans lunettes ("Seen right and left - without glasses"), furthermore some vocal works/songs.
You can search specifically for titles by Erik Satie in our online store. For example, if you are interested in an unedited version of his Gymnopédies, please search for it in the spelling satie gymnopedies urtext. If, on the other hand, you would like to see all the arrangements of this composition, please search only for satie gymnopedies and please filter the list of results according to your needs.