Fernand de la Tombelle

The stylistically very classic Variations en forme de chaconne were first performed on 23rd February 1902 by Gaston Courras, a cellist at the Paris Opera, and the composer at the piano. This piece bel...

Held by the archives of the Périgueux and Sarlat dioceses, the only known autograph manuscript of the Suite courte for flute and chromatic harp is not dated. Yet, two pieces of information may give an...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

In his Fantaisie Ballade for pedal harp, the composer's only known piece for the solo Érard harp, La Tombelle did not take the main theme from any specific traditional song, but played the artifice of...

I. Prélude et Introit (Temps de Noël) II. Offertoire III. Elévation IV. Communion sur un vieux Noël V. Sortie: Toccata dans le style ancien