Gabriel Fauré

Cantique de Jean Racine was composed by Faure in 1865. This magnificent setting for winds retains all the glory and color of the full chorus and orchestra version, complete with harp and string bass.

Cantique de Jean Racine was composed by Faure in 1865. This magnificent setting for winds retains all the glory and color of the full chorus and orchestra version, complete with harp and string bass.

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

The French composer Gabriel Fauré (1845-1924) composed the Requiem in the years 1877-1900. The Pie Jesu from this mass is a delightful piece for solo soprano. In this transcription the solo part can a...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...