Gabriel Fauré

An orchestral accompaniment (strings and harp) to Gabriel Faure 's celebrated Cantique de Jean Racine.

Berceuse ("Lullaby") is the first movement of the six-movement Dolly Suite, Op. 56, which Faure composed for four-hand piano. Transposed up a half step, this arrangement for woodwind quintet and piano...

The years between 1900 and 1925 in Paris were some of the most fruitful in the history of harp repertoire. Debussy's 'Danses sacree et profane' and his 'Sonate pour flute, alto, et harpe,' Caplet's 'M...

This celebrated harp solo by Gabriel Faure (1845-1924), Op. 110, was composed in 1918. The title, UNE CHÂTELAINE EN SA TOUR (A LADY IN HER TOWER), comes from a line in a poem by Paul Verlaine.

Three beautiful Fauré pieces, set as Woodwind duets. In his famous Sicilienne Op. 78, the melodies weave between the two players, missing nothing of the original feel of the piece. "Mi-a-ou" from the...

Three beautiful Fauré pieces, set as Woodwind duets. In his famous Sicilienne Op. 78, the melodies weave between the two players, missing nothing of the original feel of the piece. "Mi-a-ou" from the...

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Faure's Pavane has always enjoyed huge popularity. Here, the graceful theme meanders between all three players. 

Masques et Bergamasques is a four movement suite in a neoclassical style, taken from a short operatic divertissement commissioned by the Prince of Monaco for the Monte Carlo Theatre in 1918. Only the...

Masques et Bergamasques is a four movement suite in a neoclassical style, taken from a short operatic divertissement commissioned by the Prince of Monaco for the Monte Carlo Theatre in 1918. Only the...

In the 1870s, Fauré wrote three songs which, initially, had not been intended as a set, but were later compiled as opus 7, the first being Après un rêve, a romantic, lyrical song.