Gerard Posch

'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...

'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...

Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...

Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...

Iolanthe was the seventh collaboration between librettist William Gilbert and composer Sir Arthur Sullivan. Both men were "at the top of their game" for this venture and this operetta is well known fo...

Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indiv...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Felix Mendelssohn's 'Concerto for Violin' became immediately very popular soon after its premiere in 1845 and is still regarded as one of the greatest violin concertos of all time. The concerto has de...

Felix Mendelssohn's "Concerto for Violin" became immediately very popular soon after its premiere in 1845 and is still regarded as one of the greatest violin concertos of all time. The concerto has de...

Felix Mendelssohn's "Concerto for Violin" became immediately very popular soon after its premiere in 1845 and is still regarded as one of the greatest violin concertos of all time. The concerto has de...

César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...

César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...

César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...

César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...