Gerard Posch
Das Liebesverbot' is an early opera by Richard Wagner, composed in 1834 - 1836 when he was in his early twenties. Subtitled 'Die Novize von Palermo' ('The Novice of Palermo'), the work stands apart fr...
Das Liebesverbot' is an early opera by Richard Wagner, composed in 1834 - 1836 when he was in his early twenties. Subtitled 'Die Novize von Palermo' ('The Novice of Palermo'), the work stands apart fr...
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Das Liebesverbot' is an early opera by Richard Wagner, composed in 1834 - 1836 when he was in his early twenties. Subtitled 'Die Novize von Palermo' ('The Novice of Palermo'), the work stands apart fr...
Das Liebesverbot' is an early opera by Richard Wagner, composed in 1834 - 1836 when he was in his early twenties. Subtitled 'Die Novize von Palermo' ('The Novice of Palermo'), the work stands apart fr...
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Die Zauberflöte ist Mozarts letzte Oper und zugleich die populärste, heute noch am häufigsten gespielte. Sie wurde nicht wie die übrigen Opernwerke für ein Hoftheater, sondern als Auftragsarbeit für e...
Die Zauberflöte ist Mozarts letzte Oper und zugleich die populärste, heute noch am häufigsten gespielte. Sie wurde nicht wie die übrigen Opernwerke für ein Hoftheater, sondern als Auftragsarbeit für e...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...
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Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
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Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
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Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
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Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
Charles Gounod's opera 'Faust' tells the story of the old Dr. Faust who once again wants to be young and feel the passion of love. He concluded a pact with the devil - Méphistophélès - that helps him...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
I Lombardi (or I Lombardi alla Prima Crociata, The Lombards on the First Crusade) is an operatic lyric drama in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epi...
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'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
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'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
'I Masnadieri' ('The Robbers') is an opera in four acts by Giuseppe Verdi to an by Andrea Maffei, based on the play 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he...
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