Günter Kehr
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
- 2 Flutes, 2 Oboes, Bassoon, 2 Horns, Strings and Continuo
- Score
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Partitur = Cembalo
- 2 Violins, Viola, Double Bass and Harpsichord
- Score
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violin, Strings and Organ
- Director's Score
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violin, Strings and Organ
- Set of Parts
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The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...
The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...
- 3 Violins, Viola, Cello and Double Bass
- Set of Parts
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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
- 3 Oboes, 2 Violins, Viola and Continuo
- Score
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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
- 3 Oboes, 2 Violins, Viola and Continuo
- Score Download
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In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
- 2 Flutes, 2 Oboes, Bassoon, 2 Horns, Strings and Continuo
- Set of Parts
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- String Instrument and Winds
- Score
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
- Score
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
- Set of Parts
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
- Additional Parts - Strings
- Günter Kehr
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This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
- Chamber Orchestra
- Set of Parts
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- Orchestra
- Score
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- Orchestra
- Score
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Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Bassi - 2 Violinen, Viola, Bassi; Cembalo ad lib.
Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Bassi - 2 Violinen, Viola, Bassi; Cembalo ad lib.
- String Quartet (2 Violins, Viola and Double Bass)
- Set of Parts
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Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...
Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...
- String Orchestra
- Score
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- String Orchestra
- Score
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Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester
Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester
- String Orchestra
- Set of Parts
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- Violin and Piano
- Sheet Music
- Heinz Schröter Günter Kehr
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- Violin and Piano
- Sheet Music
- Günter Kehr
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- Violin and Piano
- Sheet Music
- Heinz Schröter Günter Kehr
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- Violin and Continuo
- Sheet Music (Urtext)
- Günter Kehr
- Wiener Urtext Edition
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After the autograph and the original print, op. 78. 7th edition.
After the autograph and the original print, op. 78. 7th edition.
- Violin and Piano
- Sheet Music (Urtext)
- Günter Kehr Jörg Demus
- Wiener Urtext Edition
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The edition is part of the Trinity syllabus 2007 (grade 8)
The edition is part of the Trinity syllabus 2007 (grade 8)
- Violin and Piano
- Sheet Music (Urtext)
- Günter Kehr Jörg Demus
- Wiener Urtext Edition
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