Günter Kehr
- Violin and Piano
- Sheet Music (Urtext)
- Günter Kehr Jörg Demus
- Wiener Urtext Edition
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The edition is part of the ABRSM syllabus (grade 8)
The edition is part of the ABRSM syllabus (grade 8)
- Violin and Piano
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Giuseppe Tartini's Devil's Trill Sonata came forth from a dream the composer had in 1713 in which he made a pact with the devil and witnessed the latter's virtuosic playing. After awakening, taken aba...
Giuseppe Tartini's Devil's Trill Sonata came forth from a dream the composer had in 1713 in which he made a pact with the devil and witnessed the latter's virtuosic playing. After awakening, taken aba...
- Violin and Piano
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Partitur = Cembalo
- 2 Violins, Viola, Double Bass and Harpsichord
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violin, Strings and Organ
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The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fingerings. Its peculiarity results from the characteristic titles...
The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fingerings. Its peculiarity results from the characteristic titles...
- 3 Violins, Viola, Cello and Double Bass
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The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fingerings. Its peculiarity results from the characteristic titles...
The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fingerings. Its peculiarity results from the characteristic titles...
- 3 Violins, Viola, Cello and Double Bass
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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
- 3 Oboes, 2 Violins, Viola and Continuo
- Set of Parts
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- Violin, Double Bass and Harpsichord
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- Günter Kehr
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This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
- 2 Violins, Viola and Continuo
- Score
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This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
- 2 Violins, Viola and Continuo
- Set of Parts
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This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
This concerto represents, as most of the com-poser's works, the fully matured Italian music of the 17th to 18th century. Even nowadays, this music still fascinates by its expressive character and the...
- 2 Violins, Viola and Continuo
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In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
- 2 Flutes, 2 Oboes, Bassoon, 2 Horns, Strings and Continuo
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- String Instrument and Winds
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
- Set of Parts Download
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
- Additional Parts - Strings Download
- Günter Kehr
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This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
- Chamber Orchestra
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This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
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This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
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- Orchestra
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We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
- String Quartet (2 Violins, Viola and Double Bass)
- Score
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We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...
- String Quartet (2 Violins, Viola and Double Bass)
- Score Download
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Partitur = Cembalo - 2 Violinen, Viola, Bassi; Cembalo ad lib.
- String Quartet (2 Violins, Viola and Double Bass)
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