Hans Grüß

Johann Sebastian Bach’s four orchestral suites (BA 5252–BA 5255) belong to that special group of Baroque orchestral works that have always been extremely popular and frequently performed. They likely...

Johann Sebastian Bach’s four orchestral suites (BA 5252–BA 5255) belong to that special group of Baroque orchestral works that have always been extremely popular and frequently performed. They likely...

Johann Sebastian Bach’s four orchestral suites (BA 5252–BA 5255) belong to that special group of Baroque orchestral works that have always been extremely popular and frequently performed. They likely...

Johann Sebastian Bach’s four orchestral suites (BA 5252–BA 5255) belong to that special group of Baroque orchestral works that have always been extremely popular and frequently performed. They likely...

A much-sung work - newly edited and updated in numerous performance-practical details.

Zum Bach-Jahr 2000 hat Hans Grüß die unter dem Namen 'Trauer-Ode' bekannte Kantate BWV 198 quellenkritisch durchgesehen und editorisch fundiert betreut.

For the Bach Year 2000, Hans Grüß reviewed the cantata BWV 198, known under the name 'Trauer-Ode' (Mourning Ode), from a source-critical perspective and provided editorial support.

For the Bach Year 2000, Hans Grüß reviewed the cantata BWV 198, known under the name 'Trauer-Ode' (Mourning Ode), from a source-critical perspective and provided editorial support.

For the Bach Year 2000, Hans Grüß reviewed the cantata BWV 198, known under the name 'Trauer-Ode' (Mourning Ode), from a source-critical perspective and provided editorial support.

For the Bach Year 2000, Hans Grüß reviewed the cantata BWV 198, known under the name 'Trauer-Ode' (Mourning Ode), from a source-critical perspective and provided editorial support.

For the Bach Year 2000, Hans Grüß reviewed the cantata BWV 198, known under the name 'Trauer-Ode' (Mourning Ode), from a source-critical perspective and provided editorial support.