Hector Berlioz

The scale of Berlioz's choral settings broke new boundaries in Orchestration and musical forces. The work is written for triple SATB chorus with Tenor soloist. This vocal score edition features a Pian...

A perfect bouquet of sweet flowers of melody and a masterpiece of simplicity' as described by Heine in a letter to Berlioz. This sacred trilogy was written in 1854 for soprano, baritone, two tenors an...

(4') pour Choeur et Orchestre. Partition d'orchestre [éd. Co]

Urtext der New Berlio Edition. Tenor solo, Gemischter Chor-SSTTBB, großes Orch: Flöte (4), Oboe (2), Englischhorn (2), Klarinette in b (4), Fagott (8), Horn (12) Pk (10), Schlagzeug, Streicher - Orch1...

Urtext der New Berlioz Edition. Aufführungsmaterial und Klavierauszug = BA5782-72, BA5782-90. Tenor solo, Gemischter Chor (2)-STB+STB, Kinderchor-SA, Flöte (4), Oboe (2), Klarinette in b (2), Fagott (...

Trilogie sacrée - Geistliche Trilogie (Holoman 130). Urtext der New Berlioz Edition. Sopran solo, Tenor solo (2), Bariton solo, Bass solo (3), Gemischter Chor-SSAATTBB, Flöte 1/ , Flöte 2/ Piccolo, Ob...

Thanks to the skilful dramatization, the independent instrumental parts and the effective choruses, Berlioz's trilogy "L'Enfance du Christ" (The Childhood of Christ) is a rewarding alternative for Chr...

From Berlioz's 'symphonie Fantasique, ' Calvin Custer has carefully captured the picturesque drama of the original orchestral work. Opening with a solemn procession that quickly transforms into a bril...

Die Suite enthält drei Sätze aus Hector Berrlioz' fünfsätziger 'Symphonie Fantastique' . Der 'Hexensabbat' ist eines der lebendigtsen und beliebtesten Konzertstücke der Romantik.

Immerse yourself in the bold, emotional world of musical Romanticism: With the "Suite from Symphonie Fantastique", published by Belwin Music, you bring one of the most revolutionary masterpieces in mu...

Die Suite enthält drei Sätze aus Hector Berrlioz' fünfsätziger 'Symphonie Fantastique' . Der 'Hexensabbat' ist eines der lebendigtsen und beliebtesten Konzertstücke der Romantik.

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. Hect...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. Hect...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...