Hector Berlioz
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. Hect...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. Hect...
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- Christiaan Janssen
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
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- Anton Haeck
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
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- Anton Haeck
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immediately available
Download immediately after ordering - Instant download
immediately available
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
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- Anton Haeck
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ships within 1-2 weeks
- Also available for download!
ships within 1-2 weeks
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...
- Concert Band
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- Anton Haeck
- Baton Music
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immediately available
Download immediately after ordering - Instant download
immediately available
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Franz Schubert composed his Lied, 'Der Erlkönig' (Erlking), for solo voice and piano in 1815, setting text from a poem by Johann Wolfgang von Goethe. The song has become one of Schubert's most famous...
Franz Schubert composed his Lied, 'Der Erlkönig' (Erlking), for solo voice and piano in 1815, setting text from a poem by Johann Wolfgang von Goethe. The song has become one of Schubert's most famous...
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- Jos van de Braak
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Franz Schubert composed his Lied, 'Der Erlkönig' (Erlking), for solo voice and piano in 1815, setting text from a poem by Johann Wolfgang von Goethe. The song has become one of Schubert's most famous...
Franz Schubert composed his Lied, 'Der Erlkönig' (Erlking), for solo voice and piano in 1815, setting text from a poem by Johann Wolfgang von Goethe. The song has become one of Schubert's most famous...
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- Jos van de Braak
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immediately available
Download immediately after ordering - Instant download
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Everyone knows Berlioz' famous 'Symphony Fantastique, ' and now here's an opportunity for your band to explore another gem from this important composer. The sheer simplicity of this lovely music and p...
Everyone knows Berlioz' famous 'Symphony Fantastique, ' and now here's an opportunity for your band to explore another gem from this important composer. The sheer simplicity of this lovely music and p...
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- James Curnow
- Curnow Music Press
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Symphonie Fantastique, composed by Hector Berlioz, is a symphony in five movements based upon Berlioz's own experiences of disappointment in love. Tohru Takahashi's arrangement fully exploits the capa...
Symphonie Fantastique, composed by Hector Berlioz, is a symphony in five movements based upon Berlioz's own experiences of disappointment in love. Tohru Takahashi's arrangement fully exploits the capa...
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- Tohru Takahashi
- De Haske Publications
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Concert Band
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