In his autograph of this concerto Vivaldi writes 'Flautino' - which does not make it quite clear whether the work is to be played on the f-soprano (sopranino) recorder or on the piccolo transverse flu...
With Foreword and Critical commentary for 2nd Sonata in C major.
On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...
Die Ausgabe für Flöte und Klavier enthält zusätzlich ein Faksimile der Solostimme der Erstausgabe sowie Kadenzen, die aus den ältesten handschriftlichen Quellen stammen oder nach Mozarts Vorbild von H...
Without Carl Reinecke's D major Concerto Op. 283, the 19th century would be a white patch on the repertoire map of the 'flute concerto' genre. Reinecke's work continues to assert its well-deserved pla...
This much-beloved flute piece is probably an alternative slow movement for Mozart's Flute Concerto in G major, and in its version with piano accompaniment it is indispensable to today's flute teaching...
Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a sea...
Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...
Did Mozart intend this work to be a duo for two bass instruments, or - as the simple basso-like manner of the second part suggests - a sonata for bassoon and keyboard instrument? We will probably neve...
Mozart's 'daily bread' for horn players in a particularly delightful Urtext edition. The fragmentary Rondo is not only offered in the well-known Süßmayr version, but also in a very stylistically confi...
