Johann Sebastian Bach
- Medium Voice and Piano
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- Edition Peters
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- Edition Peters
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Die beiden berühmten Versionen des Ave Maria , jeweils tief und hoch, mit Kapodaster insgesamt in 5 Tonarten spielbar, 2. Git. ad lib.
Die beiden berühmten Versionen des Ave Maria , jeweils tief und hoch, mit Kapodaster insgesamt in 5 Tonarten spielbar, 2. Git. ad lib.
- Voice and Guitar
- Sheet Music
- Karl Scheit
- Doblinger Musikverlag
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- Low Voice and Piano
- Sheet Music Download
- Robert Lienau Musikverlag
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- High Voice and Piano
- Sheet Music
- Robert Lienau Musikverlag
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With Text in German and Latin
With Text in German and Latin
- High Voice and Piano
- Sheet Music
- Robert Lienau Musikverlag
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Herzliebster Jesu/Ich bin's, Ich sollte büssen/Was mein Gott will/Mir hat die Welt/Wer hat Dich so geschlagen/Wie wunderbarlich
Herzliebster Jesu/Ich bin's, Ich sollte büssen/Was mein Gott will/Mir hat die Welt/Wer hat Dich so geschlagen/Wie wunderbarlich
- Concert Band
- Score and Parts
- H. Pijlman
- Molenaar Edition
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- 5 Brass Instruments
- Sheet Music
- Rob Roy McGregor
- Balquhidder Music
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beide Stimmen sind nicht hoch gesetzt und damit keine "Ansatzkiller".
beide Stimmen sind nicht hoch gesetzt und damit keine "Ansatzkiller".
- Horn and Trumpet
- Sheet Music
- Frank B. Wegmann
- G&C Notenverlag
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- Brass Band
- Score and Parts
- Andrew Robertson Mackereth
- Editions Marc Reift
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- Brass Band
- Score and Parts Download
- Andrew Robertson Mackereth
- Editions Marc Reift
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> Festive cantata based on the Urtext of the New Bach Edition > With a duration of 20-25 minutesWith his cantata Meine Seel erhebt den Herren which Bach composed for the Visitation of Mary (2 July),...
> Festive cantata based on the Urtext of the New Bach Edition > With a duration of 20-25 minutesWith his cantata Meine Seel erhebt den Herren which Bach composed for the Visitation of Mary (2 July),...
- Soloists (SATB), Mixed Choir, Trumpet, 2 Oboes, 2 Violins, Viola, Continuo and Organ
- Piano Reduction
- Matthias Grünert
- Bärenreiter Verlag
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Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.
Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
- Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
- Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Für Bass, 2 Violinen (Viola d'amore) u. Gitarre (Laute). Arioso aus der Johannespassion II. Teil Nr. 31. Bearbeitet und herausgegeben von Andreas Herzau. Partitur mit Stimmen.
Für Bass, 2 Violinen (Viola d'amore) u. Gitarre (Laute). Arioso aus der Johannespassion II. Teil Nr. 31. Bearbeitet und herausgegeben von Andreas Herzau. Partitur mit Stimmen.
- Low Voice, 2 Violins and Guitar
- Score and Parts
- Edition Merseburger
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Der Königliche Professor Fabian Rehfeld erhielt 1913 den Auftrag verschiedene Klaviersätze von alten Meistern zu überarbeiten. Für diese Ausgabe der Vox Humana-Reihe wurde 1951 zudem noch die Violinst...
Der Königliche Professor Fabian Rehfeld erhielt 1913 den Auftrag verschiedene Klaviersätze von alten Meistern zu überarbeiten. Für diese Ausgabe der Vox Humana-Reihe wurde 1951 zudem noch die Violinst...
- Low Voice, Violin and Piano
- Sheet Music
- Robert Lienau Musikverlag
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Ave Maria (lateinisch/deutsch)
Ave Maria (lateinisch/deutsch)
- Medium Voice, Violin and Piano
- Sheet Music
- Charles Gounod
- Robert Lienau Musikverlag
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- 3 Alto Recorders, Violin and Continuo
- Score and Parts
- Thomi-Berg Musikverlag
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- 2 Pianos 4 Hands
- Sheet Music
- Charles Gounod
- Hal Leonard
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- Piano
- Sheet Music
- Wilhelm Kempff
- Bote & Bock
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- Piano
- Sheet Music
- Wilhelm Kempff
- Bote & Bock
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- Piano
- Sheet Music
- Wilhelm Kempff
- Bote & Bock
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- Piano
- Sheet Music
- Wilhelm Kempff
- Bote & Bock
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