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Jos van de Braak

Sergei Prokofjew
Opus 99

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

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Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...

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Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...

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Emil Waldteufel
The Skaters' Waltz

'Les Patineurs Valse' (opus 183), known in English as 'The Skaters' Waltz', was composed in 1882 and inspired by the 'Cercle des Patineurs' or 'Rink of Skaters' at the Bois de Boulogne in Paris. His i...

'Les Patineurs Valse' (opus 183), known in English as 'The Skaters' Waltz', was composed in 1882 and inspired by the 'Cercle des Patineurs' or 'Rink of Skaters' at the Bois de Boulogne in Paris. His i...

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Johann Strauss (Sohn)

The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...

The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...

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Johann Strauss (Sohn)
Opus 117

Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...

Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...

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Johann Strauss (Sohn)
from the Operetta 'Die Fledermaus' for Soprano, 2 Tenors and Symphonic Band

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The terzett Nein mit solchen Advokaten is sung by Rosalinde, Blind and...

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The terzett Nein mit solchen Advokaten is sung by Rosalinde, Blind and...

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Johann Strauss (Sohn)
from the Operetta 'Die Fledermaus' for Soprano, Tenor and Symphonic Band

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The duet Dieser Anstand, so manierlich is sung by Rosalinde and her hus...

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The duet Dieser Anstand, so manierlich is sung by Rosalinde and her hus...

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Nico Dostal
from the Operetta 'Clivia'

Nico Dostal (1895-1981) was an Austrian operetta and film music composer. He was the nephew of composer Hermann Dostal. Whilst working as a Kapellmeister and composer, Dostal wrote the music for the f...

Nico Dostal (1895-1981) was an Austrian operetta and film music composer. He was the nephew of composer Hermann Dostal. Whilst working as a Kapellmeister and composer, Dostal wrote the music for the f...

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Johann Strauss (Sohn)
from the Operetta 'Eine Nacht in Venedig' for Soprano and Symphonic Band

Just seeing its title, the Tipsy Song may not be immediately familiar. But hearing just one bar of it, it's the Annen-Polka with a vocal part in which a proper Victorian-era lady finds herself slightl...

Just seeing its title, the Tipsy Song may not be immediately familiar. But hearing just one bar of it, it's the Annen-Polka with a vocal part in which a proper Victorian-era lady finds herself slightl...

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Johann Strauss (Sohn)
from the Operetta 'Eine Nacht in Venedig' for Soprano and Symphonic Band

Just seeing its title, the Tipsy Song may not be immediately familiar. But hearing just one bar of it, it's the Annen-Polka with a vocal part in which a proper Victorian-era lady finds herself slightl...

Just seeing its title, the Tipsy Song may not be immediately familiar. But hearing just one bar of it, it's the Annen-Polka with a vocal part in which a proper Victorian-era lady finds herself slightl...

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Franz Lehár
from the Operetta Wiener Frauen

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

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Franz Lehár
from the Operetta Wiener Frauen

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

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Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the 'Bohemian Sousa'. Today his worldwid...

Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the 'Bohemian Sousa'. Today his worldwid...

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Julius Fučik
Entry of the Gladiators

Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches...

Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches...

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Julius Fučik
Entry of the Gladiators

Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches...

Julius Fucík was a Czech composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches...

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