Jos van de Braak
Johann Schrammel (1850 1893) was an Austrian composer and musician. In 1878 he founded with his brother Josef Schrammel and Anton Strohmayer a trio; they were later joined by the clarinettist Georg Da...
Johann Schrammel (1850 1893) was an Austrian composer and musician. In 1878 he founded with his brother Josef Schrammel and Anton Strohmayer a trio; they were later joined by the clarinettist Georg Da...
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Johann Schrammel (1850 1893) was an Austrian composer and musician. In 1878 he founded with his brother Josef Schrammel and Anton Strohmayer a trio; they were later joined by the clarinettist Georg Da...
Johann Schrammel (1850 1893) was an Austrian composer and musician. In 1878 he founded with his brother Josef Schrammel and Anton Strohmayer a trio; they were later joined by the clarinettist Georg Da...
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Score and Parts Download
- Jos van de Braak
- Baton Music
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immediately available
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos van de Braak
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos van de Braak
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The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...
The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...
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Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...
Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The Melodram is sung by Frank, governor of the prison, at the very begi...
Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The Melodram is sung by Frank, governor of the prison, at the very begi...
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The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
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- Jos van de Braak
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The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
- Concert Band (Solo/Feature: Clarinet)
- Score and Parts Download
- Jos van de Braak
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immediately available
Download immediately after ordering - Instant download
The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
- Concert Band (Solo/Feature: Clarinet)
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- Jos van de Braak
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ships within 1-2 weeks
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The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...
- Concert Band (Solo/Feature: Clarinet)
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- Jos van de Braak
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score and Parts Download
- Jos van de Braak
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immediately available
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
- Fanfare Orchestra (Vocal Solo (High Voice))
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- Jos van de Braak
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ships within 1-2 weeks
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score Download
- Jos van de Braak
- Baton Music
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-
immediately available
Download immediately after ordering - Instant download
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score and Parts
- Jos van de Braak
- Baton Music
-
-
ships within 1-2 weeks
- Also available for download!
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score and Parts Download
- Jos van de Braak
- Baton Music
-
-
immediately available
Download immediately after ordering - Instant download
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score
- Jos van de Braak
- Baton Music
-
-
ships within 1-2 weeks
- Also available for download!
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
- Fanfare Orchestra (Vocal Solo (High Voice))
- Score Download
- Jos van de Braak
- Baton Music
-
-
immediately available
Download immediately after ordering - Instant download