Jos van de Braak

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...

In 1920, about a year before his death, Camille Saint-Saéns composed 'Odelette' for Flute and Orchestra. The title - 'Odelette' - is a term for a woman of the Turkish harem. Obviously, in this piece S...

In 1920, about a year before his death, Camille Saint-Saéns composed 'Odelette' for Flute and Orchestra. The title - 'Odelette' - is a term for a woman of the Turkish harem. Obviously, in this piece S...

In 1920, about a year before his death, Camille Saint-Saéns composed 'Odelette' for Flute and Orchestra. The title - 'Odelette' - is a term for a woman of the Turkish harem. Obviously, in this piece S...

In 1920, about a year before his death, Camille Saint-Saéns composed 'Odelette' for Flute and Orchestra. The title - 'Odelette' - is a term for a woman of the Turkish harem. Obviously, in this piece S...

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

The 'March Opus 99' was composed by Sergei Prokofiev in 1943-44 for a Soviet military band and first broadcast on the radio from Moscow on April 30, 1944. It is not a typical march, but rather a livel...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...

'Cantique de Jean Racine' is a composition by Gabriel Fauré. The text, 'Verbe égal au Très-Haut' ('Word, one with the Highest'), is a French paraphrase by Jean Racine of a Latin hymn from the breviary...