Jos van de Braak

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give h...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Traum durch die Dämmerung is the first in a set of three songs based on love poems by Otto Julius Bierbaum and composed in 1894 by the German composer Richard Strauss. The works were scored for medium...

Traum durch die Dämmerung is the first in a set of three songs based on love poems by Otto Julius Bierbaum and composed in 1894 by the German composer Richard Strauss. The works were scored for medium...

Traum durch die Dämmerung is the first in a set of three songs based on love poems by Otto Julius Bierbaum and composed in 1894 by the German composer Richard Strauss. The works were scored for medium...

Traum durch die Dämmerung is the first in a set of three songs based on love poems by Otto Julius Bierbaum and composed in 1894 by the German composer Richard Strauss. The works were scored for medium...

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The terzett Nein mit solchen Advokaten is sung by Rosalinde, Blind and...

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The duet Dieser Anstand, so manierlich is sung by Rosalinde and her hus...

Nico Dostal (1895-1981) was an Austrian operetta and film music composer. He was the nephew of composer Hermann Dostal. Whilst working as a Kapellmeister and composer, Dostal wrote the music for the f...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...