Joseph Haydn

During his second stay in England in 1794, Joseph Haydn also met the Rector of Westbourne, the Reverend William Dechair Tattersall. He tried to persuade Haydn to support his plan to improve congregati...

Gemischter Chor-SATB, Orgel/ Klavier ad lib. - Singpartitur; Spielpartitur

Seit den Tagen der Renaissancekomponisten gibt es - jenseits von Plagiatsvorwürfen - die Verehrung eines großen Komponistenkollegen in Form von Zitaten oder gar von Neufassungen seiner Werke. Kein ger...

Mit den beiden letzten Missae breves, der 'Missa Sti Nicolai' und der 'Missa St Joannis de Deo', hat Haydn auch in dieser Gattung Meisterwerke geschaffen, die bereits zu seinen Lebzeiten zu den belieb...

Missa in honorem Beatissimae Virginis Mariae - Haydns sogenannte Große Orgelsolomesse in Es-Dur zählt zu jenen Werken des Komponisten, die schon früh eine ausgesprochen weite Verbreitung fanden. Die i...

Missa Cellensis in honorem BVM. Cäcilienmesse - Als Joseph Haydn 1766, nach dem Tod seines Vorgängers Gregor Joseph Werner, die Leitung der Esterházy-Kapelle übernahm, begann er mit der Komposition se...

When Joseph Haydn took over the direction of the Esterházy Chapel in 1766 after the death of his predecessor Gregor Joseph Werner, he began composing his first and most extensive Missa solemnis. The t...

Haydn probably wrote the Missa Sancti Nicolai in 1772 for Prince Nicolaus Esterházy's name day. Not only is it comparatively large in scale, but the orchestra is also larger than usual for Missae brev...

In the Mariazell Mass Haydn succeeds convincingly in creating a specific synthesis between the high demands of 'autonomous' art music on the one hand, which are reflected in the corresponding composit...

The Missa in Tempore Belli is an interesting work in several respects. On the one hand, this mass setting allows some conclusions to be drawn about the situation of Austrian church music under the inf...

The "Missa in d" published here was written as the third of Haydn's "High Masses" in the summer of 1798, i.e. between the two late oratorios. According to the autograph dating, Haydn needed less than...

Joseph Haydn's "Missa in B flat" with the nickname "Mass of Creation", the fifth of his six late Missae solemnes, was composed in just six weeks in 1801. Like all of his great masses, he composed this...

contains: Solo aria "O coelitum beati" (G major); choral movement "Alleluia" (C major)

The Carus Urtext edition is based on the first edition of the score from 1800 as its main source. Haydn had it self-published, contrary to his usual practice, in order to avoid unauthorized pre-public...

Soli SATB, Coro SATB, 3 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Cemb Der neuen Carus-Urtextausgabe liegt als Hauptquelle der Partitur-Erstdruck von 1800 zu Grunde. Haydn hatt...

The Carus Urtext edition is based on the first edition of the score from 1800 as its main source. Haydn had it self-published, contrary to his usual practice, in order to avoid unauthorized pre-public...

Trotz der Einfachheit der Sätze, die eine möglichst breiten Verwendbarkeit dienen sollte, gelang es Haydn in den Psalmvertonungen, abwechslungsreiche Werke zu schaffen. Sowohl die Satztechniken als au...

In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...

Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...

Written for the premiere at Dr. Robinson's 2023 Carnegie Hall concert, the recognizable Gloria from Franz Joseph Haydn's Harmoniemesse has been carefully arranged for SAB voices. There are many places...

Written for the premiere at Dr. Robinson's 2023 Carnegie Hall concert, the recognizable Gloria from Franz Joseph Haydn's Harmoniemesse has been carefully arranged for SAB voices. There are many places...

One of Haydn's greatest choral masterpieces, his oratorio The Creation was composed in 1795. The work is based jointly upon the Book of Genesis, the Book of Psalms, and on John Milton's Paradise Lost.