Karol Lipinski
The collection entitled Three Caprices, op. 10 includes the works that are different in terms of technique and contain colourful melodic, harmonic, textural ideas. They were written by Lipiński for hi...
The collection entitled Three Caprices, op. 10 includes the works that are different in terms of technique and contain colourful melodic, harmonic, textural ideas. They were written by Lipiński for hi...
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The Caprices, op.27 are very developed pieces. Each of them lasts a dozen minutes and consists of several smaller sections, differentiated in regard to the character nad expression. In them, we can fi...
The Caprices, op.27 are very developed pieces. Each of them lasts a dozen minutes and consists of several smaller sections, differentiated in regard to the character nad expression. In them, we can fi...
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The cycle of Three Caprices, op. 29 by Karol Lipiński is definitely one of the most popular, recognised and frequently performed compositions by this outstanding Polish virtuoso. The work was written...
The cycle of Three Caprices, op. 29 by Karol Lipiński is definitely one of the most popular, recognised and frequently performed compositions by this outstanding Polish virtuoso. The work was written...
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The caprices for violin solo by Karol Lipiński (1790-1861) deserve special attention from violinists, owing to the multitude of technical problems they deal with. The Three Caprices op. 29 were writte...
The caprices for violin solo by Karol Lipiński (1790-1861) deserve special attention from violinists, owing to the multitude of technical problems they deal with. The Three Caprices op. 29 were writte...
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- Violin and Orchestra
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- Violin and Piano
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- Violin and Piano
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- Krystyna Jurecka
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Two Impromptus, Op. 34 posth. Are beautiful, melodious and charming miniatures, which compouser dedicated to his close friend, Franz Schubert. The impromptu no. 1 in D minor demands a good technical a...
Two Impromptus, Op. 34 posth. Are beautiful, melodious and charming miniatures, which compouser dedicated to his close friend, Franz Schubert. The impromptu no. 1 in D minor demands a good technical a...
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- Agata Szymczewska
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