Kristina Arakelyan

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...

Echo is the third movement of Seascapes, which was commissioned by the BBC Singers, as companion music to the Four Sea Interludes by Benjamin Britten, arranged for the organ by Anna Lapwood. It was pr...

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...

A beautifully illustrated collection of six early-grade piano pieces, each inspired by a major classical style and introduced by a cast of whimsical vegetables. With music by Kristina Arakelyan, artwo...

Echo is the third movement of Seascapes, which was commissioned by the BBC Singers, as companion music to the Four Sea Interludes by Benjamin Britten, arranged for the organ by Anna Lapwood. It was pr...

I Wandered Lonely as a Cloud was written in response to one of the National Youth Choirs of Great Britain’s key topics of the year 2021-22, ‘environment’. The iconic Wordsworth poem takes the listener...

A setting of Christina Rossetti’s poem Dream Land, the raw emotional quality of Dreamland reflects on the beautiful imagery and themes of fantasy and death of the poem. Written in the Autumn of 2020,...

Written for the National Youth Choirs of Great Britain, Kristina Arakelyan's Two Love Songs are immensely singable, and perfectly worked to add a strain of honest uplift and positivity to any recital...

With a syncopated and arpeggiated cello line throughout, Arakelyan's To a Skylark grows from successive upper and lower voice canons, to a canon between the upper and lower voices, before climaxing wi...

A setting of Christina Rossetti’s poem Dream Land, the raw emotional quality of Dreamland reflects on the beautiful imagery and themes of fantasy and death of the poem. Written in the Autumn of 2020,...

In this macaronic carol, Arakelyan combines Latin and English texts and employs effective textural contrasts through unison, imitative, and polyphonic passages. Offprinted from Carols for Choirs 6. Fu...

In this macaronic carol, Arakelyan combines Latin and English texts and employs effective textural contrasts through unison, imitative, and polyphonic passages. Offprinted from Weihnachts Carols for C...

Inspired by Benjamin Britten’s A Ceremony of Carols, Kristina Arakelyan’s nine-movement A Christmas Offering is a festive celebration that ranges from the energetic Alleluia, the contemplative Out of...

Inspired by Benjamin Britten’s A Ceremony of Carols, Kristina Arakelyan’s nine-movement A Christmas Offering is a festive celebration that ranges from the energetic Alleluia, the contemplative Out of...

Two narratives are interspersed in Christmas Lullaby. The first one is a mother singing a lullaby to her son, and the second one is the larger narrative of Jesus Christ’s life, as told through the tex...

Two narratives are interspersed in Christmas Lullaby. The first one is a mother singing a lullaby to her son, and the second one is the larger narrative of Jesus Christ’s life, as told through the tex...

There is no rose is the second movement of Kristina Arakelyan’s nine-movement work, A Christmas Offering, a festive celebration scored for SATB chorus with harp (or piano) taking inspiration from Benj...

There is no rose is the second movement of Kristina Arakelyan’s nine-movement work, A Christmas Offering, a festive celebration scored for SATB chorus with harp (or piano) taking inspiration from Benj...