Leopold Stokowski

KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg...

César Franck (1822-1890) wrote his Mass in A Major, Op. 12 in the summer of 1860. It was later revised in 1872, with the then newly composed Panis angelicus replacing the original movement O salutaris...

KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg...

EIN' FESTE BURG IST UNSER GOTT ("A Mighty Fortress Is Our God") is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...

EIN' FESTE BURG IST UNSER GOTT ('A Mighty Fortress Is Our God') is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...

César Franck (1822-1890) wrote his Mass in A Major, Op. 12 in the summer of 1860. It was later revised in 1872, with the then newly composed Panis angelicus replacing the original movement O salutaris...

Johann Sebastian Bach (1685-1750) originally composed MEIN JESU, WAS FÜR SEELENWEH, BWV 487 for voice and keyboard. It belongs to a collection of sacred songs written likely in the 1730s or early 1740...

Johann Sebastian Bach (1685-1750) originally composed MEIN JESU, WAS FÜR SEELENWEH, BWV 487 for voice and keyboard. It belongs to a collection of sacred songs written likely in the 1730s or early 1740...

Leopold Stokowski was not only one of the twentieth century's greatest conductors, he was also an inveterate transcriber of music for the symphony orchestra, making some two hundred orchestral arrange...