Ludwig van Beethoven
This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
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This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
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This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it ha...
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- Richard Meyer
- Highland-Etling Publishing
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- Patrizia Gesiot
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was composed in 1809 for a performance of Goethe's drama "Egmont" at the Burgtheater in Vienna. Numerous composers of the time, some of them in collaboration with t...
Beethoven's incidental music op. 84 was composed in 1809 for a performance of Goethe's drama "Egmont" at the Burgtheater in Vienna. Numerous composers of the time, some of them in collaboration with t...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's "Coriolan" overture was composed in 1807 and it is still not clear whether the work was originally intended as a concert overture or for the theater stage. The work was premiered at the Lo...
Beethoven's "Coriolan" overture was composed in 1807 and it is still not clear whether the work was originally intended as a concert overture or for the theater stage. The work was premiered at the Lo...
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Orchestra - Critical report
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
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Flöte, Oboe (2), KLar (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte, Oboe (2), KLar (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Partitur; Urtextausgabe
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Partitur; Urtextausgabe
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Posaune (2), Pauke, Streicher - Kritischer Bericht
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Posaune (2), Pauke, Streicher - Kritischer Bericht
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