Marc Koninkx
Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...
Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...
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The oratorio 'Mors et Vita' (Death and Life) is the continuation of 'The Redemption' and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...
The oratorio 'Mors et Vita' (Death and Life) is the continuation of 'The Redemption' and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...
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- Marc Koninkx
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
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Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
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In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
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In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
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In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
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In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
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Eugene Onegin", the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of O...
Eugene Onegin", the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of O...
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Eugene Onegin", the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of O...
Eugene Onegin", the most popular of Tschaikowsky's opera's, is widely considered a theatrical masterpiece. The most popular aria from this opera is "Kuda, kuda vï udalilis" sung by Lensky, fiancé of O...
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Erkki Melartin (1875 -1937) was a Finnish composer. Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies and was the first Finnish composer...
Erkki Melartin (1875 -1937) was a Finnish composer. Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies and was the first Finnish composer...
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Erkki Melartin (1875 -1937) was a Finnish composer. Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies and was the first Finnish composer...
Erkki Melartin (1875 -1937) was a Finnish composer. Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies and was the first Finnish composer...
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
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The second movement from Mozart's concerto for Bassoon in a fine transription by Marc Koninkx for Bassoon and Wind Ensemble. (Bassoon and Concert Band)
The second movement from Mozart's concerto for Bassoon in a fine transription by Marc Koninkx for Bassoon and Wind Ensemble. (Bassoon and Concert Band)
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The second movement from Mozart's concerto for Bassoon in a fine transription by Marc Koninkx for Bassoon and Wind Ensemble. (Bassoon and Concert Band)
The second movement from Mozart's concerto for Bassoon in a fine transription by Marc Koninkx for Bassoon and Wind Ensemble. (Bassoon and Concert Band)
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
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