Marco Tamanini
The famous Meditation from Jules Massenet opera Thaïs is the entr"acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.
The famous Meditation from Jules Massenet opera Thaïs is the entr"acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.
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Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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- Concert Band
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Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...
Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...
- Concert Band (Vocal Solo (High Voice) and Medium Voice)
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One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
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One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...
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Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
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'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...
'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...
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Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...
Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...
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Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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La Boutique Fantasque or "The Magic Toy Shop" was a ballet conceived by Léonide Massine who wrote the choreography and the libretto. Ottorino Respighi wrote the music based on piano pieces by Gioachin...
La Boutique Fantasque or "The Magic Toy Shop" was a ballet conceived by Léonide Massine who wrote the choreography and the libretto. Ottorino Respighi wrote the music based on piano pieces by Gioachin...
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La Boutique Fantasque or "The Magic Toy Shop" was a ballet conceived by Léonide Massine who wrote the choreography and the libretto. Ottorino Respighi wrote the music based on piano pieces by Gioachin...
La Boutique Fantasque or "The Magic Toy Shop" was a ballet conceived by Léonide Massine who wrote the choreography and the libretto. Ottorino Respighi wrote the music based on piano pieces by Gioachin...
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The Waltz from 'The Sleeping Beauty' (Garland Waltz) is the first dance in Act one of the ballet: It is Princess Aurora's sixteenth birthday. Celebrations are already underway: the atmosphere is festi...
The Waltz from 'The Sleeping Beauty' (Garland Waltz) is the first dance in Act one of the ballet: It is Princess Aurora's sixteenth birthday. Celebrations are already underway: the atmosphere is festi...
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The Waltz from 'The Sleeping Beauty' (Garland Waltz) is the first dance in Act one of the ballet: It is Princess Aurora's sixteenth birthday. Celebrations are already underway: the atmosphere is festi...
The Waltz from 'The Sleeping Beauty' (Garland Waltz) is the first dance in Act one of the ballet: It is Princess Aurora's sixteenth birthday. Celebrations are already underway: the atmosphere is festi...
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'Cantique de Noël' ('O Holy Night') is a Christmas carol composed by French composer Adolphe Adam in 1847 to the poem 'Minuit, Chrétiens' ('Midnight, Christians') by Placide Cappeau (1808-1877), a win...
'Cantique de Noël' ('O Holy Night') is a Christmas carol composed by French composer Adolphe Adam in 1847 to the poem 'Minuit, Chrétiens' ('Midnight, Christians') by Placide Cappeau (1808-1877), a win...
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'Cantique de Noël' ('O Holy Night') is a Christmas carol composed by French composer Adolphe Adam in 1847 to the poem 'Minuit, Chrétiens' ('Midnight, Christians') by Placide Cappeau (1808-1877), a win...
'Cantique de Noël' ('O Holy Night') is a Christmas carol composed by French composer Adolphe Adam in 1847 to the poem 'Minuit, Chrétiens' ('Midnight, Christians') by Placide Cappeau (1808-1877), a win...
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'Flight of the Bumblebee' is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera 'The Tale of Tsar Saltan'. The piece closes the 3rd act, during which the magic Swan-Bird changes...
'Flight of the Bumblebee' is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera 'The Tale of Tsar Saltan'. The piece closes the 3rd act, during which the magic Swan-Bird changes...
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Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera "The Tale of Tsar Saltan". The piece closes the 3rd act, during which the magic Swan-Bird changes Pr...
Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera "The Tale of Tsar Saltan". The piece closes the 3rd act, during which the magic Swan-Bird changes Pr...
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'An American in Paris' is a jazz-influenced symphonic poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy...
'An American in Paris' is a jazz-influenced symphonic poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy...
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Immerse yourself in the vibrant Parisian spirit of the Roaring Twenties! George Gershwin's world-famous masterpiece "An American in Paris" is an exhilarating, jazz-influenced tone poem that vividly ca...
Immerse yourself in the vibrant Parisian spirit of the Roaring Twenties! George Gershwin's world-famous masterpiece "An American in Paris" is an exhilarating, jazz-influenced tone poem that vividly ca...
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called 'The Ruins of Athens', which premiered in Pest in 1812. The 'Turkish March' appears as item No. 4 of th...
In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called 'The Ruins of Athens', which premiered in Pest in 1812. The 'Turkish March' appears as item No. 4 of th...
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