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Georg Friedrich Händel
from the opera Rinaldo

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

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Georg Friedrich Händel
from the Opera Rinaldo

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

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Georg Friedrich Händel
from the opera Rinaldo

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

Rinaldo was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's. I...

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The famous Meditation from Jules Massenet opera Tha's is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

The famous Meditation from Jules Massenet opera Tha's is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

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Jules Massenet
from the opera Thaïs

The famous Meditation from Jules Massenet opera Tha's is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

The famous Meditation from Jules Massenet opera Tha's is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

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Jules Massenet
from the Opera Thaïs

The famous Meditation from Jules Massenet opera Thaïs is the entr"acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

The famous Meditation from Jules Massenet opera Thaïs is the entr"acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

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Jules Massenet
from the opera Thaïs

The famous Meditation from Jules Massenet opera Thaïs is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

The famous Meditation from Jules Massenet opera Thaïs is the entr'acte for violin and orchestra played between the scenes of the second act and nowadays often performed as a separate concert piece.

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Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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Order no.: BTM388
Vittorio Monti
for Violin and Orchestra

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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Vittorio Monti
for Violin and Orchestra

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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Vittorio Monti
for Violin and Orchestra

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

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Giuseppe Verdi
from the Opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

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Order no.: BTM389SC
Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

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Camille Saint-Saëns

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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Order no.: BTM396
Camille Saint-Saëns
for Horn

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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Camille Saint-Saëns
for Horn

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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Order no.: BTM396SC
Camille Saint-Saëns
for Horn

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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Maurice Ravel

Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...

Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...

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Order no.: BTM432SC
Maurice Ravel

Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...

Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Order no.: BTM460
Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Order no.: BTM460SC
Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Order no.: BTM460SC-DL