Max Reger

The rediscovery of the original manuscripts of Max Reger's works for violin, viola and violoncello op. 131a-d in the Prague Conservatory Library represents a small sensation. These late works for solo...

With more than 1,200 titles of orchestral and choral literature, chamber music, and music theater, Edition Eulenburg is the largest score series in the world. It covers a large part of music history f...

Konzertmitschnitte aus dem Großen Haus Halberstadt vom 3.10.2003 und 30.1.2004

Max Regers Easter Motet was probably composed in October 1911 as a commission for the Chorbuch für die Kirchenchöre Sachsens [Choirbook for the Church Choirs of Saxony], which was published by Breitko...

Dieser erste Teilband umfasst die zwischen 1890 und 1902 komponierten gemischten Chöre Regers. Vertreten sind Beiträge zur katholischen liturgischen Gebrauchsmusik (Opus 61 und WoO VI/12, 19) ebenso w...

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....