Myles Collins

This chart has been transcribed from the Nelson Riddle arrangement on Sinatra's album 'Sinatra's Swingin' Session'. It is a 'builder', and it builds up with style too. Nelson Riddle took this simple c...

Whilst this song is usually associated with Peggy Lee and the Benny Goodman band (also available in our catalogue - LLM2081), this Julie London version is a refreshing alternative. It suits a singer w...

Too Darn Hot was written by Cole Porter for the 1948 musical 'Kiss Me Kate' and was featured by Ella Fitzgerald on her Cole Porter Songbook album, with the original arrangement by Buddy Bregman. We ha...

Adapted from Ella Fitzgerald's Cole Porter Songbook recording, this chart is laid back, relaxed and easy to play. It would make a good 'change-of-pace chart' for a concert setting or live gig. The arr...

Let's Face The Music is another priceless Ella chart, transcribed from her Irving Berlin Songbook album. The original arrangement was by Paul Weston, and calls for Flute and Clarinet doubles in the re...

Puttin' On the Ritz has been transcribed from the original Paul Weston chart, written for Ella Fitzgerald's Irving Berlin Songbook album. The structure of this chart is: intro, full vocal chorus, inst...

Transcribed from her Harold Arlen songbook album, this fabulous Ella chart was originally arranged by the late, great Billy May and it swings like crazy from start to finish. His use of the unison sax...

Transcribed from Natalie Cole's 'Still Unforgettable' album, this chart is a really clever fusion of old and new, as it combines elements of Nat King Cole's original recording along with his daughters...

This version of Ain't We Got Fun was recorded by Doris Day, with the Paul Weston Orchestra accompanied by the Norman Luboff Choir. The original arrangement was by Paul Weston. Our transcription closel...

This chart was originally recorded by Ella Mae Morse with the Freddie Slack Orchestra in July 1942 (on Capitol 115). The title itself refers to Jimmy Rushing, Count Basie's vocalist from 1935-48. The...

Recorded by Helen Forrest with the Artie Shaw band, this is an accurate transcription of the original Jerry Gray concept, complete with the intro Piano solo and Shaw's silky first chorus solo line. We...

A hauntingly beautiful number from the Glenn Miller book. Ours is a faithful reproduction of the original arrangement, with correct Miller voiced saxes throughout. Lead Trumpet takes the solo line, an...

Here is Glenn Miller's Chattanooga Choo Choo, adapted from the version in the film Sun Valley Serenade. Essentially this is the same structure as the vocal version, except that we have modified the ch...

Sunrise Serenade was originally released in 1939 on the RCA Bluebird label as the flipside to Moonlight Serenade, and the record became a huge hit for the Miller band. The original Miller chart was by...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

Here is a very lush and sweet arrangement of Fascination Waltz, as recorded by the Joe Loss Orchestra. The saxes are Miller voiced throughout, scored for CAATT (with the first Tenor also doubling Clar...

This chart of the Blue Danube has been transcribed from a version by Joe Loss, and is played at Viennese Walts tempo. Saxes are scored for AAATT in Miller style, with 1st Alto doubling Clarinet. The a...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

A bouncy vocal from Anita O'Day and the Gene Krupa band, with an unreasonably long title! This chart was one of the most requested of O'Day's repertoire, and we have faithfully recreated it for you he...

This version of Why Don't You Do Right was recorded in 1942 by Peggy Lee during her stay with the Benny Goodman band and Peggy made this song her own. We have faithfully transcribed Goodman's chart, i...

Calling all male vocalists! Clementine is simply great fun. This Bobby Darin version is in a similar style to his more well known Mack the Knife, with successive half-step modulations, and a band back...

Fans of Louis Jordan will instantly recognize this title, and our arrangement is equally singable by most male or female singers. The rhythm section starts it off, and the trumpets blow the dirty 'wah...

That Ole Devil is a wonderful torchlight ballad which was made famous by Billie Holiday, and latterly by Alison Moyet. Ours draws from the best of both, and we have added extra depth and richness to t...

A straight-ahead Waltz in a stock style. Good sectional interplay and use of brass mutes for tonal colour, with a written Trumpet 2 solo and written Piano fills.