Nick Pfefferkorn

The Passion Oratorio Gethsemane and Golgotha was written in the astonishingly short time from July 22 to 28, 1838, with texts by the preacher Wilhelm Schuber, a close friend of Friedrich Schneider. Th...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...

Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...

Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...

Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...

Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Alread...

Schumann’s close collaboration with the David quartet, together with the valuable advice of his friend Mendelssohn Bartholdy, led the composer to make extensive changes to the Streichquartette op. 41...

Eduard Franck's two string sextets, op. 41 in E-flat major, published in 1882/84, and op. 50, in D major, completed in December 1884 but published posthumously in 1894, fall mysteriously outside of th...