Philippe Hurel
When we retreat and disintegrate are subjective, whereas periods of progress have an objective direction. The whole of the present time is retreating, since it is a subjective 'era' or again, 'The uni...
When we retreat and disintegrate are subjective, whereas periods of progress have an objective direction. The whole of the present time is retreating, since it is a subjective 'era' or again, 'The uni...
- Percussion and Piano
- Sheet Music
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Saxophon solo
- Saxophone
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- Gerard Billaudot
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- 6 Soloists, Choir and Orchestra
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Orchestration : 2.2.3(clB).3(Cbn) / 4.0.0.0 / 2perc / hp / synth / strings
Orchestration : 2.2.3(clB).3(Cbn) / 4.0.0.0 / 2perc / hp / synth / strings
- Flute and Orchestra
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- Orchestra
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- Orchestra
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- Electronics and Orchestra
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Jugendorchester
- Concert Band
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- Gerard Billaudot
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Philippe Hurel's output is also characterised by a network of relationships between his various works, where one composition knowingly winks at another, even making a self-borrowing. In the present sc...
Philippe Hurel's output is also characterised by a network of relationships between his various works, where one composition knowingly winks at another, even making a self-borrowing. In the present sc...
- Percussion and Ensemble
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2.1.2.1 / 1.1.1.0 / 2 perc / synth / pno / cordes (1.1.1.1.1)
2.1.2.1 / 1.1.1.0 / 2 perc / synth / pno / cordes (1.1.1.1.1)
- Alto Clarinet, Clarinet, English Horn, Double Bass, Flute, Voice, Oboe, Organ, Percussion and Piano
- Set of Parts
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- Voice
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Writing with the simplest thematic' material as possible and reacting step by step, was the compositional objective of this piece. Furthermore, simultaneously composing D'un trait for cello, a piece b...
Writing with the simplest thematic' material as possible and reacting step by step, was the compositional objective of this piece. Furthermore, simultaneously composing D'un trait for cello, a piece b...
- Alto Clarinet, Clarinet, English Horn, Double Bass, Flute, Voice, Oboe, Organ, Percussion and Piano
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This work belongs to a group of concertante pieces - 4 variations for percussion and ensemble (2000), Aura for piano and orchestra or ensemble (2002-2006), Phonus for flute and orchestra (2004).In the...
This work belongs to a group of concertante pieces - 4 variations for percussion and ensemble (2000), Aura for piano and orchestra or ensemble (2002-2006), Phonus for flute and orchestra (2004).In the...
- Tenor Saxophone and Ensemble
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- Viola and Percussion
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Commissioned by the Orleans International Piano Competition (OCI) and the Percussions de Strasbourg, with support from the Central Regional Council and the Francis and Mica Salabert Foundation.Written...
Commissioned by the Orleans International Piano Competition (OCI) and the Percussions de Strasbourg, with support from the Central Regional Council and the Francis and Mica Salabert Foundation.Written...
- Piano and 3 Percussion
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- Saxophone, Guitar, Percussion and Piano
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- Accordion and Electronics
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- Voice
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From 2012 to 2014 I had the good fortune to work with writer Tanguy Viel on the opera, Les Pigeons d'argile that the Théâtre du Capitole had commissioned from me. Since then, we've maintained a strong...
From 2012 to 2014 I had the good fortune to work with writer Tanguy Viel on the opera, Les Pigeons d'argile that the Théâtre du Capitole had commissioned from me. Since then, we've maintained a strong...
- High Voice, Bass Clarinet, Accordion and 2 Percussion
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