Stanley Friedman

THE BITTER AND THE SWEET was commissioned by the chamber music ensemble Pastiche, which also recorded the work. The composition is structured both as a rondo and as a theme with variations, and is roo...

THE BITTER AND THE SWEET was commissioned by the chamber music ensemble Pastiche, which also recorded the work. The composition is structured both as a rondo and as a theme with variations, and is roo...

Based on a synthetic nine-pitch scale and its augmented triad complement, the frenetic motivic development of the opening statement collides with the simple tonality of an innocuous neo-Rococo melody....

Based on a synthetic nine-pitch scale and its augmented triad complement, the frenetic motivic development of the opening statement collides with the simple tonality of an innocuous neo-Rococo melody....

Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...

Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...

Woodwind quintet and narrator.

Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...

Artemisia Sketches, as my brass sextet La Pittura, is a suite based on themes and motives from an opera-in-progress about the brilliant Baroque painter Artemisia Gentileschi. The pitch structure is ge...

3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings

3(picc).3(eh).3(bcl).2(cbs)- 4.4.3.1- percussion, piano, strings

Symphony orchestra: 2(picc).2.2.2-4.2.3.1-timpani, percussion, harp, strings

Each etude can be played with a unique combination of fingerings (optional). These fingerings are indicated at the top of each etude.

Each etude can be played with a unique combination of fingerings (optional). These fingerings are indicated at the top of each etude.

Jimmie Stamp's greatness as a trumpet teacher was only matched by his measureless warmth and humanity. He brought to all his students a deeper understanding not only of the mechanics of brass instrume...

Jimmie Stamp's greatness as a trumpet teacher was only matched by his measureless warmth and humanity. He brought to all his students a deeper understanding not only of the mechanics of brass instrume...