Tomaso Giovanni Albinoni

Albinonis 'C-dur-Sonate' lag bis 1968 unveröffentlicht in der Österreichischen National-bibliothek.

2Ob,Str,Bc

Ausgabe für zwei Oboen und Klavier vom Herausgeber

Ausgabe für zwei Oboen und Klavier vom Herausgeber

Aus einem mitreissenden, klangschönen Debütwerk Ende des 17. Jahrhunderts gehörte es zum guten Ton, dass ein italienischer Komponist Triosonaten als op. 1 gedruckt vorlegte. Corelli war das große Vorb...

Albinonis op. 1: die editorische Fortsetzung Der Auftakt (Heft 1 mit den Sonaten Nr. 1-3, MR 2271) war so überaus erfolgreich, dass Martin Lutz mit Freude ein zweites Heft mit Albinoni-Triosonaten nac...

Tomaso Albinoni wurde am 8. Juni 1671 in Venedig geboren. Mit dem Geburtsjahr - 13 Jahre nach Torelli sowie 7 Jahre vor Vivaldi und 14 Jahre vor Bach - ist auch seine stilistische Stellung in der Entw...

Tomaso Albinoni wurde am 8. Juni 1671 in Venedig geboren. Mit dem Geburtsjahr - 13 Jahre nach Torelli sowie 7 Jahre vor Vivaldi und 14 Jahre vor Bach - ist auch seine stilistische Stellung in der Entw...

The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...

The following edition of Tomaso Albinoni's 12 Balletti a Quattro is based on the copy kept in Vienna among the 'Estensische Musikalien' in the National Library of Vienna (catalogue number EM 94/94). T...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...