Tomaso Giovanni Albinoni

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Composed in the early 18th century, the Oboe Concerto No. 3 in B flat major, Op. 7 by Tomaso Albinoni demonstrates the elegance of the Venetian Baroque. A master of lyricism and formal clarity, Albino...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...

Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...

The poetic theme of the cantata is the well-worn one of unrequited love. In the opening aria, the singer challenges the God of Love to battle. This is a true aria di battaglia in which the singer mimi...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is distinguished not only by its music, which is exceptionally finely wrought and ends wi...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is in effect a praise-song addressed to Isabella Tarquinia Ottoboni, aunt of Cardinal Pie...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the lover's separation from his (or it could be her) beloved, one of...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the parting of lovers. Dalinda, forced to part from Tirsi, vows fide...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever-popular subject of the separation of lovers. It records the departure of I...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, belongs in spirit to the subgenre known as the lezione amorosa, or 'lesson in love'. The...