William Blake

The William Blake poems, The Lamb and The Tyger are often paired together, and Andrew Miller has composed them so they can be sung as a set or separately. The overlapping lines in The Lamb enter in st...

Uses: Christ the Good Shepherd, Concert, General Scripture: Genesis 22:7, Exodus 12:5, John 1:36 A celebrated poem is given an exquisite treatment in this artful choral offering. The memorable melody...

A Cradle Song by William Blake (1757-1827) depicts a mother's love for her child. In his choral setting, Fredrik Sixten creates a bright-sounding piece full of affection and atmospheric warmth. The pi...

The William Blake poems, The Lamb and The Tyger are often paired together, and Andrew Miller has composed them so they can be sung as a set or separately. The strength and power of the tiger emerges e...

The Lamb is John Tavener 's setting of a poem by William Blake, arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. The Lamb  has long been a favourite of...

The Echoing Green is a work by composer Julian Marshall for Unaccompanied Unison Upper Voices. A setting of a William Blake poem, a performance lasts around 2 minutes.

The William Blake poems, The Lamb and The Tyger are often paired together, and Andrew Miller has composed them so they can be sung as a set or separately. The overlapping lines in The Lamb enter in st...

The William Blake poems, The Lamb and The Tyger are often paired together, and Andrew Miller has composed them so they can be sung as a set or separately. The strength and power of the tiger emerges e...

Franz M. Herzog reflektiert in seiner Chorkomposition The Tyger, basierend auf dem bedeutenden, 1794 veröffentlichten Gedicht von William Blake, die Gegensätze zwischen ästhetischer Schönheit und ursp...

Obwohl einige Jahre zwischen der Entstehung der beiden Chorkompositionen liegen, gehören sie zusammen. The Tyger (Helbling, C7949), ein Auftragswerk von styria cantat, und The Lamb sind Vertonungen vo...

The four-bar melody, which can be heard as a monophonic soloist at the beginning, forms the starting point and the musical center of this subtly nuanced choral composition by Frederic Mattes. It is al...

Holy Thursday is a work by Julian Marshall for Solo Soprano and Unaccompanied SATB Choir. A setting of a William Blake poem from his collection 'Songs of Innocence', a performance lasts around 2 minut...

Nurse's Song is a work for Tenor Solo and Unaccompanied SATB Choir by composer Julian Marshall. A setting of two poems by William Blake from his 'Songs of Innocence', a performance lasts around 4 minu...

The Chimney Sweeper is a work by Julian Marshall for Unaccompanied SATB Choir that sets a William Blake poem from 'Songs of Innocence'. A full performance lasts around 4 minutes.

The Lamb is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of a William Blake poem from 'Songs of Innocence', this work lasts around 3 minutes.

The Little Girl Found is a work for Unaccompanied SATB Choir by composer Julian Marshall. A setting of a poem by William Blake from 'Songs of Experience', performances will last around 3 minutes.

A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience', a full performance lasts around 2 minutes.

Julian Marshall 's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes.

The vocal score for The Golden Skein, composed by Edgar Bainton with words by poet William Blake. The work is scored for unaccompanied SATB chorus.