Choir, Vocals

Sentences is a thirty-minute meditation, in collaboration with Adam Gopnik, on several episodes drawn from the life and work of Alan Turing. Turing lived, in a sense, many different lives, but at the...

The Last Letter is a work by Nico Muhly for Baritone Voice and Piano. Commissioned by the Barbican Centre and the European Concert Hall Organisation, the text comes from a collection of 'Love Letters...

The vocal score for Marnie, the opera by Nico Muhly written to a libretto by Nicholas Wright based on the 1961 novel by Winston Graham. 

Nico Muhly’s The Mezzo-Soprano’s Song was composed for the publication of the book 13 Words by Lemony Snicket and Maira Kalman and Commissioned by Charlotte Sheedy Literary Agency, Inc.

Commissioned by Sasha Cooke. First performed on 30 January 2022 at Davies Symphony Hall, San Francisco.

For soprano and piano, commissioned by Decca Classics for Renée Fleming. A version arranged for orchestra is available on hire from the publisher.

Nico Muhly’s The Street is a 75 minute collection of meditations on the Stations of the Cross with text by Alice Goodman, scored for harp solo, narration and plainchant. It was commissioned by King’s...

Written for countertenor and string ensemble, this is a setting of Consummation by Thomas Traherne, and is in response to Bellini’s St. Francis in Ecstasy. Commissioned by The Frick Collection, the fi...

for Soprano, Tenor, Oboe, Bassoon, Two Violins, Viola and Basso Continuo. "As Steals the Morn" (The Cheerful Man, the Thoughtful Man and the Moderate Man), was composed in 1740. It is described as a '...

White Fox Woman is a striking nine-minute mini-opera for middle to low voice accompanied either by Soprano Saxophone or Oboe. This compelling work was commissioned by oboist Paul Goodey in 2002 and wr...