Breitkopf Chornoten
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Siegfried Petrenz
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Orchesterbesetzung: 1 Oboem Streicher und B.c.
Orchesterbesetzung: 1 Oboem Streicher und B.c.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Breitkopf & Härtel KG
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Ein viel gesungenes Werk - neu herausgegeben und dabei in zahlreichen aufführungspraktischen Details aktualisiert.
Ein viel gesungenes Werk - neu herausgegeben und dabei in zahlreichen aufführungspraktischen Details aktualisiert.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Breitkopf & Härtel KG
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Soli,GCh,Orch 35' Text: Averdonk, Severin Anton
Soli,GCh,Orch 35' Text: Averdonk, Severin Anton
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
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- Mixed Choir (SATB) and Piano
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- Breitkopf & Härtel KG
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Breitkopf & Härtel KG
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Neben für die späte Harmonik Schuberts typischen Konstruktionen ist vor allem die Funktion des Chores als Ausdrucksträger hervorzuheben, der durch aussergewöhnlich häufige polyphone Führung überrascht...
Neben für die späte Harmonik Schuberts typischen Konstruktionen ist vor allem die Funktion des Chores als Ausdrucksträger hervorzuheben, der durch aussergewöhnlich häufige polyphone Führung überrascht...
- Soloist, Mixed Choir (SATB) and Piano
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- Mixed Choir and Piano
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- Breitkopf & Härtel KG
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Klavierauszug vom Herausgeber
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Klavierauszug vom Komponisten als zentrale Quelle Felix Mendelssohn Bartholdy überarbeitete seinen 'Elias' nach der erfolgreichen Uraufführung im Sommer 1846 in Birmingham grundlegend - die einzelnen...
Klavierauszug vom Komponisten als zentrale Quelle Felix Mendelssohn Bartholdy überarbeitete seinen 'Elias' nach der erfolgreichen Uraufführung im Sommer 1846 in Birmingham grundlegend - die einzelnen...
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The Missa in c was so dear to Mozart that he cited it as 'evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's g...
The Missa in c was so dear to Mozart that he cited it as 'evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's g...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Die 'Vesperae de Dominica' entstand in Salzburg in demselben Jahr 1779 wie die 'Krönungsmesse'. Mozart selbst schätzte dieses Werk hoch ein. Wir bieten Probeseiten der Chorpartitur zum Download an. Kl...
Die 'Vesperae de Dominica' entstand in Salzburg in demselben Jahr 1779 wie die 'Krönungsmesse'. Mozart selbst schätzte dieses Werk hoch ein. Wir bieten Probeseiten der Chorpartitur zum Download an. Kl...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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For the funeral rites after the death of King Augustus I. of Saxony ('Augustus the Strong'), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of th...
For the funeral rites after the death of King Augustus I. of Saxony ('Augustus the Strong'), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of th...
- Soloists, Mixed Choir and Orchestra
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The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...
The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
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- Andreas Köhs
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Urtext nach der Leipziger Mendelssohn-Gesamtausgabe. Mendelssohns "Lauda Sion" MWV A 24 ist eine nahezu komplette Vertonung der Sequenz zu Fronleichnam für Soli, Chor und Orchester. Es entstand als Au...
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe. Mendelssohns "Lauda Sion" MWV A 24 ist eine nahezu komplette Vertonung der Sequenz zu Fronleichnam für Soli, Chor und Orchester. Es entstand als Au...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Matthias Grünert
- Breitkopf & Härtel KG
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Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
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- Andreas Köhs
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