Classical Music
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- Mixed Choir
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- Eugène Ceulemans
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- Mixed Choir (SATB) and Piano
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- Curwen and Sons Ltd.
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- Jobert
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- Mixed Choir and Piano
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- Edwin F. Kalmus
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DER FLIEGENDE HOLLÄNDER (THE FLYING DUTCHMAN), WWV 63, had two sources of inspiration for Richard Wagner (1813-1883). The first was a short story by Heinrich Heine, based on the folk legend of a sea-c...
DER FLIEGENDE HOLLÄNDER (THE FLYING DUTCHMAN), WWV 63, had two sources of inspiration for Richard Wagner (1813-1883). The first was a short story by Heinrich Heine, based on the folk legend of a sea-c...
- 6 Soloists and Mixed Choir
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- Edwin F. Kalmus
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The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
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- Clayton Westermann
- Edwin F. Kalmus
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
- Medium Voice and Mixed Choir
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- Edwin F. Kalmus
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Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI...
Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI...
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- Edwin F. Kalmus
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LES CONTES D'HOFFMANN (THE TALES OF HOFFMANN) was written betweem 1876 and 1880 and is the final work composed by Jacques Offenbach (1819-1880), who died four months before the premiere, a fear that O...
LES CONTES D'HOFFMANN (THE TALES OF HOFFMANN) was written betweem 1876 and 1880 and is the final work composed by Jacques Offenbach (1819-1880), who died four months before the premiere, a fear that O...
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- Choral Score
- Ernst Theodor Amadeus Hoffmann
- Edwin F. Kalmus
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
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- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
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- Moritz Hauptmann
- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
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- Moritz Hauptmann
- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...
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- Moritz Hauptmann
- Edwin F. Kalmus
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NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...
NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...
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- Edwin F. Kalmus
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NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...
NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...
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- Edwin F. Kalmus
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The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
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- Edwin F. Kalmus
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The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
- Soloists (STB), Mixed Choir and Orchestra
- Choral Score
- Edwin F. Kalmus
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The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...
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- Choral Score
- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...
Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...
- Mixed Choir
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- Gottfried Wolters
- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...
Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...
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- Gottfried Wolters
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