Classical Music

The iconic opening choral passage from Riverdance, composed by Bill Whelan. Starting with solo soprano and then joined by full chorus, this piece tells the story of the origins of the river and its jo...

The Heart's Cry was written in praise of feminine qualities. The text refers to the salmon and the eagle. The salmon was traditionally a symbol for wisdom in Irish folklore, and its daring journey bac...

'I sing because...' is the third and final movement of the choral suite Todd's 'Songs of Love', which was commissioned by Elena Sharkova for the Symphony Silicon Valley Chorale in 2012. The haunting a...

Geschrieben in Erinnerung an die Mutter des Komponisten, sind Will Todds Songs of Peace ein Werk über Liebe und Verlust in sechs Teilen. Zwei der Sätze sind dabei für hohe Chorstimmen, während die and...

Everyone Sang was written for the wedding blessing at Wells Cathedral on 26th May 2007. The choir on that occasion featured many singers from the operatic world and this, combined with the emotional n...

Kim André Arnesen is one of he most frequently performed composers from Norway today. He writes 'singing together lights an extraordinary process in us: we connect from the depths of our beings with e...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...

First performed in 2016, Fire of Love started life as an extended piano improvisation, evident by the continuously running piano throughout the piece. The words, written by the composer, speak of true...

Composed for the Festive Concert in aid of the British Red Cross at St Paul's Cathedral, London, December 2018. An accessible and lively seasonal, secular carol on the theme of loneliness, this is a w...

Let us build a house is the final piece from Kim André Arnesen's large-scale choral work The Stranger. Instead of a typical majestic ending, Arnesen here has aimed for a quiet conclusion to a large wo...

Do not neglect is a stand-alone movement from Kim André Arnesen's large-scale choral work The Stranger, which uses a thought-provoking New Testament text from chapter 13 of Hebrews: 'Do not neglect to...

Written for the Pembroke College Chapel Choir in November 2022, Drop down, ye heavens is a setting of the refrain and final stanza of the Advent Prose, itself based on various portions of the Book of...

A welcome addition to this composer’s output of secular choral works, Oh Sleep! is a beautiful and lyrical setting which will be appreciated by choirs both amateur and professional. It was composed to...

Composed for performance at the 2022 Cumnock Tryst, the community-based annual music festival established by James MacMillan in the Ayrshire town where he grew up. MacMillan comments that “my earliest...

This work for solo soprano, solo cello and mixed chorus (SATB with divisi) was first performed at the University College Dublin Foundation Day celebration in November 2013, and later recorded by the C...