Classical Music

Eerie, enigmatic, engaging - your singers will be instantly hooked. The piano introduction sets a buoyant bounce that propels the mysterious story. This moody, minor-key song boasts conservative vocal...

Eerie, enigmatic, engaging - your singers will be instantly hooked. The piano introduction sets a buoyant bounce that propels the mysterious story. This moody, minor-key song boasts conservative vocal...

Handel's famous "Water Music" becomes a spirited holiday fanfare with the addition of a celebratory Christmas text. Buoyant vocal parts, traditional choral writing, and the jaunty hornpipe feel are a...

Handel's famous "Water Music" becomes a spirited holiday fanfare with the addition of a celebratory Christmas text. Buoyant vocal parts, traditional choral writing, and the jaunty hornpipe feel are a...

Handel's famous "Water Music" becomes a spirited holiday fanfare with the addition of a celebratory Christmas text. Buoyant vocal parts, traditional choral writing, and the jaunty hornpipe feel are a...

Singers will love the independent vocal lines in this bright setting of Emily Dickinson's hopeful poem. A lovely melody is introduced in unison and later assembles in canon. Radiant refrains are drive...

Singers will love the independent vocal lines in this bright setting of Emily Dickinson's hopeful poem. A lovely melody is introduced in unison and later assembles in canon. Radiant refrains are drive...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

Tarquinio Merula was born in 1595 in Busetto (Parma). From a young age he was connected to the city of Cremona, a city which was then part of the Spanish Duchy of Milan, and where he would reside most...

Handel set the myth of the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata "Aci, Galatea e Polifemo" HWV 72 (1708), the masque "Aci...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...

English Masque in 3 parts. Piano reduction based on the Urtext of the Halle Handel Edition (English/ German) - Vocal Score based on the Urtext of the Halle Handel Edition (English/ German). Soprano so...

Sopran solo (2), Mezzosopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Streicher, Basso continuo - Klavierauszug; Gesamtausgabe; Urtextausgabe V o k A l m u s i...

Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...