Sophie Lavoie
Il pianto delle Muse in morte di Lord Byron - Canzone con Coro
for tenor solo and six other solos, three-part male choir and orchestra (piano) (1824)
Sophie Lavoie
Il pianto delle Muse in morte di Lord Byron - Canzone con Coro
for tenor solo and six other solos, three-part male choir and orchestra (piano) (1824)
- Instrumentation 7 Soloists, Male Choir (3-Part), Harp and Orchestra
- Composer Sophie Lavoie
- Editor Guido Johannes Joerg
- Edition Piano Reduction
- Publisher Musikverlag Christoph Dohr
- Order no. DOHR30932
incl. tax,
excl. shipping costs
Not available in all countries. Learn more
Description:
The "Canzone con Coro" on a text by an unknown author is very typical of Rossini's musical style and offers a not too difficult cabinet piece for a mixed concert program. The performance lasts about six minutes. (Guido Johannes Joerg).
Vocal scoring and ranges:
Tenor solo (Apollo): d-b'
6 solos
- Soprano 1: f-sharp'-f-sharp''
- Soprano 2: f'-d''
- Soprano 3: d'-a'
- Tenor 1: d-g'
- Tenor 2: d-e'
- Bass: G#-F#
Male choir
- Tenor I: d-f#'
- Tenor II: d-a
- Bass: A-d'
Orchestration:
2 flutes
2 oboes
2 clarinets in A
2 bassoons
2 horns in D
obligato harp
Strings
On the edition:
The orchestral version of the work is presented here in print for the first time. The score contains a detailed afterword on the composition, Rossini's relationship to Lord Byron and the mythological background. An edition of an independent piano version (E.D. 30932) is published in parallel, which also serves as a piano reduction of the present orchestral version.
The orchestral part set, which can be purchased, also contains the harp part and is 6/5/4/3/2-Harm.
Vocal scoring and ranges:
Tenor solo (Apollo): d-b'
6 solos
- Soprano 1: f-sharp'-f-sharp''
- Soprano 2: f'-d''
- Soprano 3: d'-a'
- Tenor 1: d-g'
- Tenor 2: d-e'
- Bass: G#-F#
Male choir
- Tenor I: d-f#'
- Tenor II: d-a
- Bass: A-d'
Orchestration:
2 flutes
2 oboes
2 clarinets in A
2 bassoons
2 horns in D
obligato harp
Strings
On the edition:
The orchestral version of the work is presented here in print for the first time. The score contains a detailed afterword on the composition, Rossini's relationship to Lord Byron and the mythological background. An edition of an independent piano version (E.D. 30932) is published in parallel, which also serves as a piano reduction of the present orchestral version.
The orchestral part set, which can be purchased, also contains the harp part and is 6/5/4/3/2-Harm.