Musikverlag Christoph Dohr

La Muse et le poète op. 132 occupies a special place in Camille Saint-Saëns' oeuvre. In the fall of 1909, the composer reported to the cellist Joseph Hollmann on initial sketches for a duo (for violin...

Noten für 4 Violoncelli aus der Reihe ''cello by Birtel', Vol. 45.

Based on my arrangement of the Inventions for two violoncellos from 2016 (E.D. 12660), the idea arose to set up an arrangement for viola (viola) and violoncello as well. Apart from a sonata by Mario C...

By Juventino Rosas, a musical genius who sadly passed away far too early, who worked as a street musician and dance band musician in Mexico City during his early youth and later went on concert tours...

Composed in 2019, this work is a tribute to Louis Marchand (1669–1732), whose organ compositions, with their "noble simplicity and quiet grandeur," strike me as a precursor to the music of Erik Satie....

The "Partite diverse," written for Christoph Dohr in 2019, attempts to apply a formal world—characterized by horizontal and vertical axial symmetry and culminating in the late Webern’s variation works...

My organ fantasy on the Gregorian chant "Dominus Vobiscum" consists of three sections: The unison presentation of the three-note motif is followed by a toccata-like section dominated by rhythm. In the...

The present edition contains 24 piano songs by the German-French composer Georg and Georges Schmitt. Together with the 21 works in the first volume, all of the composer's piano songs are now available...

Christian Reinhold Köstlin (1813–1856), a lawyer by profession who came from a family of theologians and scholars, was married to the song composer and Munich court singer Josephine Lang (1815–1880)....

Klabund’s poems strike a very distinctive tone: concrete, vivid scenes, almost naive words—and yet, precisely because of this, they address with great seriousness the central questions of love, longin...

This single edition for practical use is based on the scholarly complete edition, founded by Holger Eichhorn. While the scholarly edition uses the original clefs, the practical edition is edited in mo...

The "Missa brevis" was composed in 2025. It has turned out to be a "tonal" piece, but not a stylistic imitation. It is—I hope—free of all "-isms." It is not modern, not old-fashioned, and not anti-mod...

Hildegard von Bingen set a single text of the Ordinarium Missae to music: a Kyrie from which I was freely inspired melodically. The "Kyrie eleison" is the existential and archaic call to God – it is h...

Liturgische Gesänge im Gottesdienst zu begleiten erfordert besondere Einfühlung: Es gilt, auf die Gemeinde beim Singen zu hören und nicht zu stark registrieren. Geschrieben sind die Sätze für nebenamt...

Johann Sebastian Bach provided a number of his cantatas with a purely instrumental introductory piece, a Sinfonia. Some of them are reworkings of his own works, others do not appear in the collection...

The melody to "Du meine Seele, singe!" by Johann Georg Ebeling (1637-1676) forms the basis for the composition for two players. The theme is developed in different ways, but is always recognizable to...

My "Easter Mass" was written for a concert featuring Gregorian chant and follows in the tradition of the French organ mass. The four movements paraphrase the Gregorian melodies of the Introit, Offerto...

I moved in as a stranger, I move out again as a stranger. The lyrical self in Franz Schubert's song cycle "Winterreise" wanders, is searching. Is it his personal life's wandering after a failed love,...