Musikverlag Christoph Dohr

The Artificial Organ, the fairy tale about the organ "that was so artificial that it began to play on its own whenever a bride and groom whom God favored entered the church," comes from *Träumereien a...

Léon Boëllmann called his collection of one hundred late Romantic miniatures for organ or harmonium "Heures mystiques", which appeared in print in 1896. Boëllmann wrote these short, easy-to-play piece...

Who doesn't know the "Hallelujah" from George Frideric Handel's "Messiah"? The famous choral movement forms the finale in the second part of the large three-part oratorio for soloists, choir and orche...

Carla's Blues No. 5 is a tremendously driving and energetic long-meter rock blues in an unusual 5/4 rhythm. Standing up and indomitability are the central themes of this composition. This basic mood w...

This is a single edition from the anthology "Praxis Chorleitung" (E.D. 20310) in identical layout, but without the didactic markings. The work: Text: Psalm 150, 1, 2, 3, 5b, 6

Das ursprünglich in Breslau entstandene 'Transeamus usque Bethlehem' ('So lasst uns gehen nach Bethlehem') erfreut sich insbesondere im süddeutschen Raum einer großen Beliebtheit in Christmetten. Erst...

During his stay in Rome in 1841 and 1842, Hiller and his family were the center of the German artists' colony in the "eternal city". The versatile composer studied Roman vocal polyphony after Giovanni...

Psalms belong to the genre of poetic-religious texts that are first found in Judaism, later also in Christianity. However, there are also extra-biblical texts called Psalms. Often, liturgical pieces i...

The present edition contains 24 piano songs by the German-French composer Georg and Georges Schmitt. Together with the 21 works in the first volume, all of the composer's piano songs are now available...

Four songs on texts from William Shakespeare's "The Tempest": - Prospero I ("I find my zenith") - Ariel ("Come into these yellow sands") - Caliban ("Be not afeard") - Prospero II ("We are such stuff")...

The volume contains a detailed afterword by the editor as well as an extensive critical report.

The title, a terminus technicus that is unique in this combination in the history of music, combines the concept of the recitative, i.e. a rather free style of singing that follows the spoken language...

On the occasion of the ceremonial unveiling of the Bellini monument on August 8, 1886 in Piazza Bellini in Naples, his former fellow student and friend Francesco Florimo published the Album Bellini: a...

The Barcarole is a beautiful, yet rather simply constructed duet that allows for a variety of instrumentations. The piano part is not demanding; only the upper of the two vocal parts is required to re...

Davonfliegen is based on two songs from the bilingual "Deutsch-Jüdisches Liederbuch" from 1912, which was published by Abraham Zwi Idelsohn, an important music researcher and composer, and financed by...

Just like its sister work, the Missa in D minor op. 91 for mixed choir and organ (E.D. 23095), the present setting of the Ordinarium missae for male voices and organ also has German and Latin text, wh...

The "Canzone con Coro" on a text by an unknown author is very typical of Rossini's musical style and offers a not too difficult cabinet piece for a mixed concert program. The performance lasts about s...

The "In paradisum" draws a vision of eternal life with comforting images. Composers such as Gabriel Fauré and Maurice Duruflé each end their Requiem with it. In my composition in the minimal music sty...

The Partita is written for two four-part wind choirs with the same instrumentation (same tuning for all voices; two trumpets and two trombones each): large choir and small choir (solo), which should p...

'How long, O Lord?' für gemischten Chor, Vibraphon, Pauken (in A und H), Triangel und Orgel entstand in enger Zusammenarbeit mit den Musikern. Als Textgrundlage wählte ich Auszüge aus Psalm 13 (Standa...

Das Lied 'Schönster Herr Jesu' ist im Evangelischen Gesangbuch mit zwei Melodien vertreten. Die hier vorliegenden Choralvariationen für Oboe und Orgel basieren auf der ersten Melodie (Münster 1677). I...

Johann Rosenmüller Gesamtausgabe Bd. 24