Masses

Was zunächst nach einer „normalen“ deutschen Messe für SATB und Orgel aussieht, entpuppt sich als veritables „Multifunktionswerkzeug“ auch für das Musizieren verschiedener Gruppen in der Gemeinde: Ein...

Was zunächst nach einer „normalen“ deutschen Messe für SATB und Orgel aussieht, entpuppt sich als veritables „Multifunktionswerkzeug“ auch für das Musizieren verschiedener Gruppen in der Gemeinde: Ein...

Messen in flexibler drei- und vierstimmiger Chorbesetzung erfreuen sich zunehmender Beliebtheit: Beide Gruppen können das Werk „autonom“ singen, bei fortschreitendem Männerstimmenmangel kann es im Rep...

The circle of students of the French masters Guilmant and Widor certainly suggests some musical characteristics: high conciseness, mastery of form, noble melody, indulgent harmony and, despite all thi...

Die zweistimmige "Missa Sancti Lamberti"führt in prägnanter Kürze und mit viel Ohrwurmpotential Kinder und Jugendliche an den "klassischen" Messzyklus heran. Die deutschsprachigen Vertonungen der Mess...

Die zweistimmige "Missa Sancti Lamberti"führt in prägnanter Kürze und mit viel Ohrwurmpotential Kinder und Jugendliche an den "klassischen" Messzyklus heran. Die deutschsprachigen Vertonungen der Mess...

Soli SA, Coro SA, Org

Delibes liess in seiner 'Messe brève' der Messeteile 'Credo' und 'Benedictus' aus, fügte aber nach dem 'Sanctus' das in Frankreich gebräuchliche 'O salutaris hostia' in die Messe ein. Der Wechsel zwis...

In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular, as they enabled a large audience to get to know classical compositions in...

In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular, as they enabled a large audience to get to know classical compositions in...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Verdi's Requiem is one of the major works in this genre in the 19th century. It demands just about everything of the choral singer: rapidly-changing harmonies, also in distant keys, and some tremendou...

Haydn composed his first mass as a teenager, when he and his brother were still singing as boy sopranos at St. Stephen's Cathedral in Vienna. He probably wrote the two ornamented solo parts for himsel...

Haydn composed his first mass as a teenager, when he and his brother were still singing as boy sopranos at St. Stephen's Cathedral in Vienna. He probably wrote the two ornamented solo parts for himsel...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...