Editions Marc Reift Download Sheet Music
This concertino for solo flute and viola was composed in 1980 for Anne-Marie Sommer, Adrian Wepfer and Hélène Basler. It can be played with piano or string orchestra. The first movement is passionate,...
This concertino for solo flute and viola was composed in 1980 for Anne-Marie Sommer, Adrian Wepfer and Hélène Basler. It can be played with piano or string orchestra. The first movement is passionate,...
- Flute, Violin and String Orchestra
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The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
- Instrument and String orchestra
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- Colette Mourey
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The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...
- Instrument and String orchestra
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- Colette Mourey
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
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- Colette Mourey
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Instrument and String orchestra
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- Colette Mourey
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
- Instrument and String orchestra
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- Colette Mourey
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
- Instrument and String orchestra
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- Colette Mourey
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This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
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- Colette Mourey
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This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
- Instrument and String orchestra
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- Colette Mourey
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
- Instrument and String orchestra
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- Colette Mourey
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
- Instrument and String orchestra
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- Colette Mourey
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Instrument and String orchestra
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- Colette Mourey
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
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- Colette Mourey
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Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Instrument and String orchestra
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- Colette Mourey
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Instrument and String orchestra
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- Colette Mourey
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Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Instrument and String orchestra
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- Colette Mourey
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Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Instrument and String orchestra
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- Colette Mourey
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This piece is quite virtuosic, but the aim is not technical performance but rather to convey emotion through strong melodic lines and harmonies that are tonal but quite complex. The titles of the four...
This piece is quite virtuosic, but the aim is not technical performance but rather to convey emotion through strong melodic lines and harmonies that are tonal but quite complex. The titles of the four...
- Flute and String orchestra
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Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...
Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...
- Instrument and String orchestra
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- Colette Mourey
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Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...
Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...
- Instrument and String orchestra
- Score and Parts Download
- Colette Mourey
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Antonio Vivaldi's Concerto RV 356, Op. 3, one of the masterpieces of his extensive concerto repertoire, is reinterpreted here by Colette Mourey in a sensitive arrangement for guitar and piano or organ...
Antonio Vivaldi's Concerto RV 356, Op. 3, one of the masterpieces of his extensive concerto repertoire, is reinterpreted here by Colette Mourey in a sensitive arrangement for guitar and piano or organ...
- Guitar and String orchestra
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- Colette Mourey
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Antonio Vivaldi's Concerto RV 356, Op. 3 comes from the famous collection L'Estro Armonico, which was published in 1711 and contributed significantly to his Europe-wide fame. The work impressively ill...
Antonio Vivaldi's Concerto RV 356, Op. 3 comes from the famous collection L'Estro Armonico, which was published in 1711 and contributed significantly to his Europe-wide fame. The work impressively ill...
- Instrument and String orchestra
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- Colette Mourey
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Antonio Vivaldi's Concerto RV 356, Op. 3 comes from the famous collection L'Estro Armonico, which was published in 1711 and contributed significantly to his Europe-wide fame. The work impressively ill...
Antonio Vivaldi's Concerto RV 356, Op. 3 comes from the famous collection L'Estro Armonico, which was published in 1711 and contributed significantly to his Europe-wide fame. The work impressively ill...
- Instrument and String orchestra
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- Colette Mourey
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Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
- Instrument and String orchestra
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- Colette Mourey
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Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
- Instrument and String orchestra
- Score and Parts Download
- Colette Mourey
- Editions Marc Reift
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