Ensemble

Textures was composed in 1996 for the Penn State Tuba/Euphonium Ensemble and commissioned by Marty Erickson. It is a symphony for 12-part tuba/euphonium ensemble in three movements that explores diffe...

Textures was composed in 1996 for the Penn State Tuba/Euphonium Ensemble and commissioned by Marty Erickson. It is a symphony for 12-part tuba/euphonium ensemble in three movements that explores diffe...

Euphonium parts in treble and bass clef

Euphonium parts in treble and bass clef

Fabula [fable] is a free, imaginative narrative from which a lesson can be drawn. The idea of using this title for some works inspired me because it gives me a lot of freedom in the choice of musical...

Fabula [fable] is a free, imaginative narrative from which a lesson can be drawn. The idea of using this title for some works inspired me because it gives me a lot of freedom in the choice of musical...

The second of the racy Six Romanian Dances, written by a 20th century tuba virtuoso (1915-1997).

The second of the racy Six Romanian Dances, written by a 20th century tuba virtuoso (1915-1997).

Liberation of Sisyphus was composed in the spring of 1990. The work was commissioned by Roger Bobo and written especially for him. The premiere took place in August 1990 in Sapporo, Japan, during the...

Das Brandenburgische Konzert reiht sich ein in die äußerst anspruchsvollen Stücke, die Matthias Gromer für sein Quintett Mannheim Brass bearbeitet hat. Die Instrumentalisten haben nicht nur viele Note...

Dieses Quartett des schweizer Komponisten Paul Huber ist ergreifend und eindringlich. Stellenweise erinnern die Harmonien an Bruckner. In der ersten Trompete sind langgezogene hohe Passagen; entsprech...

Rachmaninoff spielte seine anspruchsvollen Preludes allein auf dem Klavier – und auch, wenn sich Blechbläser zu zehnt an diese Stücke wagen, sind sie eine Herausforderung! Diese sechs Preludes sind se...

Dieses Werk ist eigentlich für drei vierstimmige Chöre komponiert. In dieser Bearbeitung wechseln sich zwei Chöre ab (wegen klanglicher Abwechslung auch nicht ganz konsequent), und in den Tutti-Teilen...

Brass quintet no.1 is subtitled 'The Addict'. It represents 3 aspects of an addicts life: I Personality, II Getting high. III Withdrawal.  1st. movement: inner conflict. The motive (tpt 1, m. 2) is al...

This is the ultimate tenor aria and has been arranged here for trumpet soloist and quintet. This version was requested and recorded by Jens Lindemann and the Italian Wonderbrass. A solo from the openi...